Edited with text by François Bovier, Adeena Mey, Thomas Schärer, Fred Truniger. Text by Renate Buschmann, Marcy Goldberg, Ute Holl, Ian Wooldridge.
Minor Cinema is the first study of experimental cinema in Switzerland, addressing the relationships between contemporary art and underground movies, formal and amateur films, expanded cinema and performances and focusing on the role of the art schools and the festivals. The publication includes essays on Robert Beavers and Gregory Markopoulos, Peter Liechti, cinema at the Kunsthalle Bern during Harald Szeemann’s curatorship, Annette Michelson, Tony Morgan and Kurt Blum.
STATUS: Forthcoming | 1/21/2020
This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Pbk, 6 x 8.25 in. / 384 pgs / 25 b&w. LIST PRICE: U.S. $29.95 LIST PRICE: CANADA $45 ISBN: 9783037645505 PUBLISHER: JRP|Ringier AVAILABLE: 1/21/2020 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by JRP|Ringier. Edited with text by François Bovier, Adeena Mey, Thomas Schärer, Fred Truniger. Text by Renate Buschmann, Marcy Goldberg, Ute Holl, Ian Wooldridge.
Minor Cinema is the first study of experimental cinema in Switzerland, addressing the relationships between contemporary art and underground movies, formal and amateur films, expanded cinema and performances and focusing on the role of the art schools and the festivals. The publication includes essays on Robert Beavers and Gregory Markopoulos, Peter Liechti, cinema at the Kunsthalle Bern during Harald Szeemann’s curatorship, Annette Michelson, Tony Morgan and Kurt Blum.
