Edited by Cristina Bechtler, Dora Imhof. Text by Chris Dercon, Soichiro Fututake, Eli Broad, Bernardo Paz, Dakis Joannou, Philippe Méaille, Eugenio Lopez, Patrizia Sandretto Re Rebaudengo, Nadia Samdani, Jochen Zeitz.
Private museums like the Menil Collection in Houston, the Fondation Maeght in Saint-Paul de Vence or the Louisiana Museum of Modern Art in Humlebaek have existed for a long time, but over the past decade, many more private museums have been founded all over the world. In Athens, Jakarta, Los Angeles, Mexico City, Milan and Paris, major collectors have built, or are planning to build, large new museums. These projects are often greeted as generous initiatives that combine the presentation of an individual collection with innovative architecture, and offer contemporary art great visibility. Sometimes they are also seen as competitors for beleaguered public institutions, as both structures vie for funding and visitors. Given this current panorama of growing private initiatives, The Private Museum of the Future, published by the same editors of 2015’s successful Museum of the Future, tackles this central issue in museology and contemporary society.
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FORMAT: Pbk, 6 x 8.25 in. / 214 pgs / 30 b&w. LIST PRICE: U.S. $29.95 LIST PRICE: CANADA $39.95 ISBN: 9783037645208 PUBLISHER: JRP|Ringier AVAILABLE: 8/28/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by JRP|Ringier. Edited by Cristina Bechtler, Dora Imhof. Text by Chris Dercon, Soichiro Fututake, Eli Broad, Bernardo Paz, Dakis Joannou, Philippe Méaille, Eugenio Lopez, Patrizia Sandretto Re Rebaudengo, Nadia Samdani, Jochen Zeitz.
Private museums like the Menil Collection in Houston, the Fondation Maeght in Saint-Paul de Vence or the Louisiana Museum of Modern Art in Humlebaek have existed for a long time, but over the past decade, many more private museums have been founded all over the world. In Athens, Jakarta, Los Angeles, Mexico City, Milan and Paris, major collectors have built, or are planning to build, large new museums. These projects are often greeted as generous initiatives that combine the presentation of an individual collection with innovative architecture, and offer contemporary art great visibility. Sometimes they are also seen as competitors for beleaguered public institutions, as both structures vie for funding and visitors. Given this current panorama of growing private initiatives, The Private Museum of the Future, published by the same editors of 2015’s successful Museum of the Future, tackles this central issue in museology and contemporary society.
