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| | | | Bruno Munari: Original Xerographies
Published by Edizioni Corraini
A one-of-a-kind xerograph is the result of an image or object that is moved while the photocopy machine is in motion so that a new--impossible-to-replicate--image is produced. The resultant image is, then, not a copy of the original image or object but an original in its own right. This rigorous process of exploiting the photocopier's potential was developed by the quixotic Italian artist and designer Bruno Munari in the series Quaderni di Design (1977), and is reproduced here--flying in the face of digital technology--for a new generation of xerography enthusiasts. Every phase of the copy-making process, from reading limits to toner concentration has been systematically tested (to exacting 1970s standards) by Munari. The result is a witty series of samples that exhaustively detail every imaginable potential of the machine, some of which are quite unexpected. | D.A.P. CATALOG: FALL 2008 p. 108 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| BRUNO MUNARI: ORIGINAL XEROGRAPHIES
$22.00 | In Stock: Order below or contact your local bookstore or museum shop.
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CANADIAN PRICE: CAN $26
ISBN: 9788875701345
FORMAT: Paperback, 5.75 x 8.25 in. / 100 pgs / 14 color / 131 b&w.
PUBLISHER: Edizioni Corraini
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PUBLICATION DATE: 8/1/2008 | Active
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| Bruno Munari: Original Xerographies | Edizioni Corraini | Pub Date: 8/1/2008 |  |
LIST PRICE: U.S. $22.00
LIST PRICE: CANADA $26
ISBN: 9788875701345
PUBLISHER: Edizioni Corraini
PUB DATE: 8/1/2008
FORMAT: Paperback, 5.75 x 8.25 in. / 100 pgs / 14 color / 131 b&w.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: ActiveAVAILABILITY: In stock
| D.A.P. CATALOG:
FALL 2008 Page 108 |
| Bruno Munari: Original Xerographies
A one-of-a-kind xerograph is the result of an image or object that is moved while the photocopy machine is in motion so that a new--impossible-to-replicate--image is produced. The resultant image is, then, not a copy of the original image or object but an original in its own right. This rigorous process of exploiting the photocopier's potential was developed by the quixotic Italian artist and designer Bruno Munari in the series Quaderni di Design (1977), and is reproduced here--flying in the face of digital technology--for a new generation of xerography enthusiasts. Every phase of the copy-making process, from reading limits to toner concentration has been systematically tested (to exacting 1970s standards) by Munari. The result is a witty series of samples that exhaustively detail every imaginable potential of the machine, some of which are quite unexpected.
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