| | TITLE | Sonic Somatic: Performances of the Unsound Body | IMPRINT | Errant Bodies Press | PRICE US | $21.00 CDN $21.00 | ISBN | 9780982743942 TRADE | FORMAT | Pbk, 7 x 9 in., 281 pgs, 45 b&w. | CATALOG | FALL 2011 p. 111 | DISTRIBUTOR | D.A.P. | PUB DATE | 7/31/2012 | STATUS | Active | STOCK | In stock |
| | NEW & FORTHCOMING Edited by Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore, Margot Norton. NEW MUSEUM Edited by Betti-Sue Hertz, Ceci Moss. Text by David Pescovitz, Kazys Varnelis, et al. YERBA BUENA CENTER FOR THE ARTS Text by Silvia Anna Barrilà, Nicole Büsing, Heiko Klaas, Christiane Meixner, Andreas Schmid. HATJE CANTZ Edited and with text by Ingvild Goetz, Karsten Löckemann, Angelika Nollert, Letizia Ragaglia. HATJE CANTZ | GIFTS FOR GRADS 2013: 50 Perfect Choices for Recent Graduates!  | |
|   |   | Sonic Somatic: Performances of the Unsound BodyText by Christof Migone.In Sonic Somatic, the sound artist and theorist Christof Migone looks at sound art's overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin Artaud's writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier's groundbreaking 1969 recording “I Am Sitting in a Room”; Erik Satie's looped composition “Vexations”; Marina Abramovic's confrontational performance “Rhythm 0”; Adrian Piper's “Untitled Performance for Max's Kansas City”; Herman Melville's short story “Bartleby, the Scrivener”; Bob Connolly and Robin Anderson's documentary film First Contact; and of course the work that most looms over this topic: John Cage's paradigm-shifting 1952 composition “4'33” .” | |
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