Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
CCA WATTIS INSTITUTE FOR CONTEMPORARY ARTS
Joan Jonas Is on Our Mind
Edited by Frances Richard. Foreword and Introduction by Anthony Huberman. Text by Lynne Tillman, et al.
The CCA Wattis Institute in San Francisco dedicates year long seasons of discussions and public events to a single artist. In 2014–15, Joan Jonas (born 1936) was “on our mind.” This book brings together essays from writers, curators, art historians and artists that focus on a single work, from Jonas’ earliest films through her installation for the US Pavilion at the 56th Venice Biennale. The book also contains excerpts from readings and public lectures, and images by some of the other artists whose work was evoked in public and private conversation. Contributors include Jacqueline Francis, Renée Green, Quinn Latimer, Sarah Lehrer-Graiwer, Patricia Maloney, Elizabeth Mangini, Judith Rodenbeck and Lynne Tillman.
in stock $18.00
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FORMAT: Pbk, 6.75 x 9.5 in. / 172 pgs / 64 color / 40 b&w. LIST PRICE: U.S. $18.00 LIST PRICE: CANADA $25.5 ISBN: 9780982503386 PUBLISHER: CCA Wattis Institute for Contemporary Arts AVAILABLE: 7/25/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock
Published by CCA Wattis Institute for Contemporary Arts. Edited by Frances Richard. Foreword and Introduction by Anthony Huberman. Text by Lynne Tillman, et al.
The CCA Wattis Institute in San Francisco dedicates year long seasons of discussions and public events to a single artist. In 2014–15, Joan Jonas (born 1936) was “on our mind.” This book brings together essays from writers, curators, art historians and artists that focus on a single work, from Jonas’ earliest films through her installation for the US Pavilion at the 56th Venice Biennale. The book also contains excerpts from readings and public lectures, and images by some of the other artists whose work was evoked in public and private conversation. Contributors include Jacqueline Francis, Renée Green, Quinn Latimer, Sarah Lehrer-Graiwer, Patricia Maloney, Elizabeth Mangini, Judith Rodenbeck and Lynne Tillman.
