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PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 368 pgs / 632 color.

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Catalog: FALL 2015 p. 34   

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ISBN 9780870709692 TRADE
List Price: $75.00 CDN $99.00

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BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

THE MUSEUM OF MODERN ART, NEW YORK

Photography at MoMA: 1960 to Now

Edited with text by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister. Text by David Campany, Noam Elcott, Eva Respini, Robert Slifkin.

Shirana Shahbazi, "Composition-45-2011", 2011, is reproduced from <i>Photography at MoMA: 1960 to Now</i>.

From the collection of MoMA: masterworks of contemporary photography, 1960 to the present

The Museum of Modern Art has one of the greatest collections of 20th-century photography in the world. As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective to the most prominent artists working with the photographic medium of the late 20th and early 21st centuries. At a moment when photography is undergoing fast-paced changes and artists are seeking to redefine its boundaries in new and exciting ways, Photography at MoMA serves as an excellent resource for understanding the expanded field of contemporary photography today.
The book begins with an in-depth introduction followed by eight chapters of full-color plates, each introduced by a short essay. Over 250 artists are featured, including Diane Arbus, John Baldessari, Jan Dibbets, Rineke Dijkstra, William Eggleston, Lee Friedlander, Louise Lawler, Zoe Leonard, Helen Levitt, Sigmar Polke, Cindy Sherman, Wolfgang Tillmans, Jeff Wall, Carrie Mae Weems, Hannah Wilke and Garry Winogrand, among many others.

Quentin Bajac is The Joel and Anne Ehrenkranz Chief Curator of Photography at The Museum of Modern Art, New York.

Lucy Gallun is Assistant Curator in the Department of Photography at MoMA.

Roxana Marcoci is Senior Curator in the Department of Photography at MoMA.

Sarah Meister is Curator in the Department of Photography at MoMA.

David Campany is an artist and writer and Reader in Photography at the University of Westminster, London.

Noam M. Elcott is Assistant Professor in the Department of Art History and Archaeology at Columbia University, New York.

Eva Respini is the Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston, and a former Curator in the Department of Photography at MoMA.

Robert Slifkin is Assistant Professor of Fine Arts at the Institute of Fine Arts, New York University.

Shirana Shahbazi, "Composition-45-2011", 2011, is reproduced from Photography at MoMA: 1960 to Now.

PRAISE AND REVIEWS

American Photo

A Who's Who of the contemporary masters of the form.

Library Journal

Handsome and informative . . . highly recommended.

The New York Times

In publishing three volumes of photography history from its collection, The Museum of Modern Art in New York has decided to disrupt the traditional narrative.

Popular Photography on Campus

What draws you into the book is the sheer variety of visual surprises, from iconic shots to obscure gems. A book worthy of personal and collegiate libraries.

Photography at MoMA: 1960 to Now

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FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 12/27/2015

Photography at MoMA: 1960 to Now

Photography at MoMA: 1960 to Now, Cindy Sherman

Cindy Sherman's "Untitled #446" (2008) is reproduced from Photography at MoMA: 1960 to Now, the first in a new three-volume series from The Museum of Modern Art. In his essay, Between the Snapshot and Staged Photography, David Campany asks, "Who is she? An archetype of new money? An aspect of Sherman's own character? And what is this picture? An upholding of tradition or a trashing of it? Compassion or cruel satire? To what extent does the photograph belong to the contradictory narratives of contemporary social life?" continue to blog


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