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ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook | D.A.P. 2025 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 2/1/2026 Black History Month Reading, 2026DATE 1/22/2026 ICP presents Audrey Sands on 'Lisette Model: The Jazz Pictures'DATE 1/21/2026 Guggenheim Museum presents 'The Future of the Art World' author András Szántó in conversation with Mariët Westermann, Agnieszka Kurant and Souleymane Bachir DiagneDATE 1/19/2026 Rizzoli Bookstore presents Toto Bergamo Rossi, Diane Von Furstenberg and Charles Miers on 'The Gardens of Venice'DATE 1/19/2026 Black Photojournalism, 1945 to 1984DATE 1/18/2026 Artbook at MoMA PS1 presents Paul M. Farber and Sue Mobley launching 'Monument Lab: Re:Generation'DATE 1/17/2026 Artbook at Hauser & Wirth Los Angeles Bookstore presents Peter Tomka on 'Double Player'DATE 1/14/2026 Printed Matter, Inc. presents Pedro Bernstein and Courtney Smith on "Commentary on 'Approximations to the Object'"DATE 1/13/2026 Join us at the Winter Atlanta Gift & Home Market 2026DATE 1/12/2026 Pan-African possibility in 'Ideas of Africa'DATE 1/11/2026 Previously unseen photographs by Canadian color master Fred HerzogDATE 1/5/2026 Minnie Evans’ divine visions of a lost worldDATE 1/1/2026 Happy New Year! | BOOKS IN THE MEDIASHARON HELGASON GALLAGHER | DATE 10/1/2020In support of 'Philip Guston Now'The catalog Philip Guston Now, co-published and distributed by D.A.P., has been released and is now on sale in bookstores and museum shops worldwide. D.A.P. fully stands behind the book and believes that this work speaks powerfully to our times.![]() ABOVE: "Painting, Smoking, Eating" (1973) In Philip Guston Now, co-curator Harry Cooper argues that Guston “has the guts to hold himself and his work to account.” Indeed, “holding oneself to account” is key to Guston’s understanding of what being an artist entails. As the artist himself wrote, “The canvas is a court where the artist is prosecutor, defendant, jury, and judge.” Guston does not just ask us to look at this art; he demands that we look hard at our world—and ourselves. Philip Guston’s work is difficult; it is painful to look at his drawings and paintings of the KKK. But he is telling us something important: it is the casual, uninhibited ease of these hooded figures as they ride in their cars and smoke their cigarettes that exposes the deep moral depravity of racism. Philip Guston Now includes essays by Harry Cooper (National Gallery of Art), Mark Godfrey (Tate Modern), Alison de Lima Greene (Museum of Fine Arts, Houston), and Kate Nesin (Museum of Fine Arts, Boston). The catalog also features thoughtful contributions by ten contemporary artists reflecting on Guston’s painting as well as his influence on their work: Trenton Doyle Hancock, Rirkrit Tiravanija, Amy Sillman, Tacita Dean, David Reed, William Kentridge, Glenn Ligon, Peter Fischli, Art Spiegelman and Dana Schutz. We encourage you to read the book, look at the images, think about the work, and talk about it. Sharon Helgason Gallagher President and Publisher, Artbook | D.A.P. |