ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2023 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 7/22/2024 Explore the influence of Islamic art and design on Cartier luxury objectsDATE 7/18/2024 Join us at the San Francisco Art Book Fair, 2024!DATE 7/18/2024 History and healing in Calida Rawles' 'Away with the Tides'DATE 7/16/2024 Join us at the Atlanta Gift & Home Summer Market 2024DATE 7/15/2024 In 'Gordon Parks: Born Black,' a personal report on a decade of Black revoltDATE 7/14/2024 Familiar Trees presents a marathon reading of Bernadette Mayer's 'Memory'DATE 7/11/2024 Early 20th-century Japanese graphic design shines in 'Songs for Modern Japan'DATE 7/8/2024 For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’DATE 7/5/2024 Celebrate summer with Tony Caramanico’s Montauk Surf JournalsDATE 7/4/2024 For love, and for countryDATE 7/1/2024 Summertime Staff Picks, 2024!DATE 7/1/2024 Enter the dream space of Francesca Woodman and Julia Margaret CameronDATE 6/30/2024 Celebrate the extraordinary freedom of Cookie Mueller in this Pride Month Pick | BOOKS IN THE MEDIASHARON HELGASON GALLAGHER | DATE 10/1/2020In support of 'Philip Guston Now'The catalog Philip Guston Now, co-published and distributed by D.A.P., has been released and is now on sale in bookstores and museum shops worldwide. D.A.P. fully stands behind the book and believes that this work speaks powerfully to our times.![]() ABOVE: "Painting, Smoking, Eating" (1973) In Philip Guston Now, co-curator Harry Cooper argues that Guston “has the guts to hold himself and his work to account.” Indeed, “holding oneself to account” is key to Guston’s understanding of what being an artist entails. As the artist himself wrote, “The canvas is a court where the artist is prosecutor, defendant, jury, and judge.” Guston does not just ask us to look at this art; he demands that we look hard at our world—and ourselves. Philip Guston’s work is difficult; it is painful to look at his drawings and paintings of the KKK. But he is telling us something important: it is the casual, uninhibited ease of these hooded figures as they ride in their cars and smoke their cigarettes that exposes the deep moral depravity of racism. Philip Guston Now includes essays by Harry Cooper (National Gallery of Art), Mark Godfrey (Tate Modern), Alison de Lima Greene (Museum of Fine Arts, Houston), and Kate Nesin (Museum of Fine Arts, Boston). The catalog also features thoughtful contributions by ten contemporary artists reflecting on Guston’s painting as well as his influence on their work: Trenton Doyle Hancock, Rirkrit Tiravanija, Amy Sillman, Tacita Dean, David Reed, William Kentridge, Glenn Ligon, Peter Fischli, Art Spiegelman and Dana Schutz. We encourage you to read the book, look at the images, think about the work, and talk about it. Sharon Helgason Gallagher President and Publisher, Artbook | D.A.P. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Philip Guston NowD.A.P./National Gallery of Art $65.00 free shipping |