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ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First Sight2025 Gift GuidesFeatured Image ArchiveEvents ArchiveDATE 8/2/2026 Join Artbook | D.A.P. at Shoppe Object New York, August 2026DATE 7/26/2026 Vintage poster scrap from Tokyo’s influential Grand GalleryDATE 7/23/2026 Join us at the San Francisco Art Book Fair, 2026!DATE 7/23/2026 Words of wisdom from the greatest artists of our timeDATE 7/20/2026 Collier Schorr’s fascinating take on Chantal Akerman’s ‘Je tu il elle’DATE 7/19/2026 Metrograph presents Collier Schorr signing ‘Writing a Letter: Akerman Ballet, Act 1’ followed by a screening of Chantal Akerman’s ‘Je tu il elle’ with joint introduction by Matt WolfDATE 7/17/2026 LACMA Store presents Audrey Sands and Rebecca Morse on 'Lisette Model: The Jazz Pictures'DATE 7/16/2026 Artworld occult! A new tarot deck from Francesco ClementeDATE 7/13/2026 An exploration of dancehall, reggae en español, and reggaeton through contemporary artDATE 7/12/2026 Artbook @ Hauser & Wirth Los Angeles Bookstore presents Karl Haendel, Andrea Gyorody and Aldy Milliken on 'Less Bad'DATE 7/11/2026 For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’DATE 7/11/2026 LA Showroom Summer Sample Sale, Save 75–85%!DATE 7/8/2026 Conflict, culture and exchange in 18th-century art across the Americas | BOOKS IN THE MEDIASHARON HELGASON GALLAGHER | DATE 10/1/2020In support of 'Philip Guston Now'The catalog Philip Guston Now, co-published and distributed by D.A.P., has been released and is now on sale in bookstores and museum shops worldwide. D.A.P. fully stands behind the book and believes that this work speaks powerfully to our times.![]() ABOVE: "Painting, Smoking, Eating" (1973) In Philip Guston Now, co-curator Harry Cooper argues that Guston “has the guts to hold himself and his work to account.” Indeed, “holding oneself to account” is key to Guston’s understanding of what being an artist entails. As the artist himself wrote, “The canvas is a court where the artist is prosecutor, defendant, jury, and judge.” Guston does not just ask us to look at this art; he demands that we look hard at our world—and ourselves. Philip Guston’s work is difficult; it is painful to look at his drawings and paintings of the KKK. But he is telling us something important: it is the casual, uninhibited ease of these hooded figures as they ride in their cars and smoke their cigarettes that exposes the deep moral depravity of racism. Philip Guston Now includes essays by Harry Cooper (National Gallery of Art), Mark Godfrey (Tate Modern), Alison de Lima Greene (Museum of Fine Arts, Houston), and Kate Nesin (Museum of Fine Arts, Boston). The catalog also features thoughtful contributions by ten contemporary artists reflecting on Guston’s painting as well as his influence on their work: Trenton Doyle Hancock, Rirkrit Tiravanija, Amy Sillman, Tacita Dean, David Reed, William Kentridge, Glenn Ligon, Peter Fischli, Art Spiegelman and Dana Schutz. We encourage you to read the book, look at the images, think about the work, and talk about it. Sharon Helgason Gallagher President and Publisher, Artbook | D.A.P. |