| |||||||||||||||||||||||||
ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First Sight2025 Gift GuidesFeatured Image ArchiveEvents ArchiveDATE 6/1/2026 Pride Month Staff Picks 2026DATE 5/21/2026 Join Artbook | D.A.P. & DelMonico Books at MSA Forward 2026DATE 5/19/2026 High power, low tech activism from lesbian collective fierce pussyDATE 5/19/2026 Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'DATE 5/17/2026 Artbook @ MoMA PS1 Bookstore presents the launch of Ben Thorp Brown's 'Cura's Garden'DATE 5/13/2026 How-dee! ‘The Shithole Opry Collector’s Guide’ is hereDATE 5/11/2026 From solar furnaces to radio telescope control panels: Soviet Scientific InstitutesDATE 5/9/2026 Artbook @ MoMA PS1 Bookstore presents Kembra Pfahler in conversation with Michael ImperioliDATE 5/9/2026 Join us for the LA Art Book Fair 2026!DATE 5/7/2026 The influence of Henri Matisse’s “Femme au chapeau”DATE 5/7/2026 Join Artbook | D.A.P. at the 2026 ICP Photobook FestDATE 5/6/2026 Now it can be told: The true story of the Society for Indecency to Naked AnimalsDATE 5/3/2026 Craftsmanship, creativity, change: 'Fashioning Chinese Women' captures twentieth-century flux | BOOKS IN THE MEDIASHARON HELGASON GALLAGHER | DATE 10/1/2020In support of 'Philip Guston Now'The catalog Philip Guston Now, co-published and distributed by D.A.P., has been released and is now on sale in bookstores and museum shops worldwide. D.A.P. fully stands behind the book and believes that this work speaks powerfully to our times.![]() ABOVE: "Painting, Smoking, Eating" (1973) In Philip Guston Now, co-curator Harry Cooper argues that Guston “has the guts to hold himself and his work to account.” Indeed, “holding oneself to account” is key to Guston’s understanding of what being an artist entails. As the artist himself wrote, “The canvas is a court where the artist is prosecutor, defendant, jury, and judge.” Guston does not just ask us to look at this art; he demands that we look hard at our world—and ourselves. Philip Guston’s work is difficult; it is painful to look at his drawings and paintings of the KKK. But he is telling us something important: it is the casual, uninhibited ease of these hooded figures as they ride in their cars and smoke their cigarettes that exposes the deep moral depravity of racism. Philip Guston Now includes essays by Harry Cooper (National Gallery of Art), Mark Godfrey (Tate Modern), Alison de Lima Greene (Museum of Fine Arts, Houston), and Kate Nesin (Museum of Fine Arts, Boston). The catalog also features thoughtful contributions by ten contemporary artists reflecting on Guston’s painting as well as his influence on their work: Trenton Doyle Hancock, Rirkrit Tiravanija, Amy Sillman, Tacita Dean, David Reed, William Kentridge, Glenn Ligon, Peter Fischli, Art Spiegelman and Dana Schutz. We encourage you to read the book, look at the images, think about the work, and talk about it. Sharon Helgason Gallagher President and Publisher, Artbook | D.A.P. |