ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2023 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 7/22/2024 Explore the influence of Islamic art and design on Cartier luxury objectsDATE 7/18/2024 Join us at the San Francisco Art Book Fair, 2024!DATE 7/18/2024 History and healing in Calida Rawles' 'Away with the Tides'DATE 7/16/2024 Join us at the Atlanta Gift & Home Summer Market 2024DATE 7/15/2024 In 'Gordon Parks: Born Black,' a personal report on a decade of Black revoltDATE 7/14/2024 Familiar Trees presents a marathon reading of Bernadette Mayer's 'Memory'DATE 7/11/2024 Early 20th-century Japanese graphic design shines in 'Songs for Modern Japan'DATE 7/8/2024 For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’DATE 7/5/2024 Celebrate summer with Tony Caramanico’s Montauk Surf JournalsDATE 7/4/2024 For love, and for countryDATE 7/1/2024 Summertime Staff Picks, 2024!DATE 7/1/2024 Enter the dream space of Francesca Woodman and Julia Margaret CameronDATE 6/30/2024 Celebrate the extraordinary freedom of Cookie Mueller in this Pride Month Pick | AT FIRST SIGHTKARA SAULSBERRY | DATE 10/28/2010Phyllis Galembo: MaskePhyllis Galembo is a Professor of Art at the University at Albany, State University of New York. Galembo’s work has been exhibited and collected by museums and institutions all over the world, including the American Museum of Natural History, the Fashion Institute of Technology, the Smithsonian, MFA Houston, Philadelphia Museum of Art, and the Tokyo Metropolitan Museum of Photography.For over two decades Galembo has been documenting cultural and religious traditions in Africa and the African Diaspora. Galembo began photographing in Nigeria in 1985; today she finds her subjects throughout western and central Africa that participate in traditional African ceremonies, masquerade events, contemporary dress, and carnivals. These participants use their costumes to create mythic characters; some are humorous and critical, others are bold and frightening. No matter what the mood, Galembo’s photographs always describe the transformative power of the mask. above: Janus Mask, Nkim Village, Nigeria, 2005 above: Ekpokang Masquerade, Calabar South, Nigeria, 2005 above: Ewokom Asquerade, Eshinjok Village, Nigeria, 2004 above: Three Painted Boys, Jacmel, Haiti, 2004 above: Surprise Box, Jacmel, Haiti, 2004 above: Chaloskas, Jacmel, Haiti, 2009 |