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ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First Sight2025 Gift GuidesFeatured Image ArchiveEvents ArchiveDATE 3/13/2026 McNally Jackson presents Oluremi C. Onabanjo in conversation with Air Afrique on 'Ideas of Africa'DATE 3/1/2026 May all your weeds be wildflowers: Staff Picks for Gardeners, 2026DATE 3/1/2026 Women's History Month Staff Picks, 2026DATE 3/1/2026 Contemporary Latinx painting in new release, 'Let Us Gather in a Flourishing Way'DATE 3/1/2026 Back in stock! ‘Kent Monkman: History is Painted by the Victors’DATE 2/26/2026 Join Artbook | D.A.P. at Show LADATE 2/25/2026 Villa Albertine presents Rémi Babinet launching 'No Ads Please'DATE 2/25/2026 The complete paintings of master and madman Francis BaconDATE 2/19/2026 Rare Hindu prints by Bengali artists during colonial ruleDATE 2/16/2026 Humble beauty in 'Chinese Patchwork'DATE 2/14/2026 Love, magic and alchemy in Hayao Miyazaki's 'Ponyo'DATE 2/11/2026 Architectural Association presents the UK launch of 'Archigram: The Magazine'DATE 2/9/2026 Lake Verea inhabits Casa Barragán—with wonder | AT FIRST SIGHTKARA SAULSBERRY | DATE 10/28/2010Phyllis Galembo: MaskePhyllis Galembo is a Professor of Art at the University at Albany, State University of New York. Galembo’s work has been exhibited and collected by museums and institutions all over the world, including the American Museum of Natural History, the Fashion Institute of Technology, the Smithsonian, MFA Houston, Philadelphia Museum of Art, and the Tokyo Metropolitan Museum of Photography.For over two decades Galembo has been documenting cultural and religious traditions in Africa and the African Diaspora. Galembo began photographing in Nigeria in 1985; today she finds her subjects throughout western and central Africa that participate in traditional African ceremonies, masquerade events, contemporary dress, and carnivals. These participants use their costumes to create mythic characters; some are humorous and critical, others are bold and frightening. No matter what the mood, Galembo’s photographs always describe the transformative power of the mask. ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
