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| |   |   | Louise Bourgeois: Autobiographical PrintsText by Juliet Mitchell.
Featuring two print series by one of the most influential artists of recent decades, Louise Bourgeois: Autobiographical Prints presents highly personal, dreamlike expressions of this formidable figure. A prolific printmaker, Louise Bourgeois (1911–2010) created the Autobiographical series in 1994, capturing her deepest thoughts and memories. The accompanying collection of 11 Drypoints, which were created in 1999, offers a more abstract perspective, using motifs and themes to conjure representations of her past. Intriguing and highly immersive, both sets of prints open a window into the mind of the artist. All of the prints are reproduced with arresting clarity, accompanied by a text exploring the prints in the context of Bourgeois’ psychological biography, by celebrated psychoanalyst Juliet Mitchell. These works from the end of the artist’s life are a crucial expression of her vulnerability, and an exploration of the themes that form the crux of her practice: memory, childhood trauma and sexuality.
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FORMAT: Pbk, 6.5 x 9.5 in. / 96 pgs / 25 b&w. LIST PRICE: U.S. $18.00 LIST PRICE: CANADA $25.5 ISBN: 9781853323430 PUBLISHER: Hayward Gallery Publishing AVAILABLE: 5/24/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ME | D.A.P. CATALOG: SPRING 2016 Page 139 | PRESS INQUIRIES
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| Louise Bourgeois: Autobiographical Prints Published by Hayward Gallery Publishing. Text by Juliet Mitchell. Featuring two print series by one of the most influential artists of recent decades, Louise Bourgeois: Autobiographical Prints presents highly personal, dreamlike expressions of this formidable figure. A prolific printmaker, Louise Bourgeois (1911–2010) created the Autobiographical series in 1994, capturing her deepest thoughts and memories. The accompanying collection of 11 Drypoints, which were created in 1999, offers a more abstract perspective, using motifs and themes to conjure representations of her past. Intriguing and highly immersive, both sets of prints open a window into the mind of the artist. All of the prints are reproduced with arresting clarity, accompanied by a text exploring the prints in the context of Bourgeois’ psychological biography, by celebrated psychoanalyst Juliet Mitchell. These works from the end of the artist’s life are a crucial expression of her vulnerability, and an exploration of the themes that form the crux of her practice: memory, childhood trauma and sexuality.
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