Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Enigmatic hand-painted silhouettes of women from Bridgehampton-based multi-media artist Bastienne Schmidt.
For her latest publication, Typology of Women, German-born, Hamptons-based mixed-media artist Bastienne Schmidt (born 1961) has created a series of hand-painted orange cutouts of different types of women as they have been represented in different historical periods, in popular culture and in literature. The clarifying, codifying logic of the typology—the systematic classification of types that have characteristics in common—is undermined by Schmidt’s spare, enigmatic silhouettes. Referencing ancient Greek pottery, Japanese woodcuts, American pop culture and fairy tales, Schmidt’s figures are vaguely familiar and recognizably female but often seem to dodge exact classification. Also inspired by the rigorous systematic method of Bernd and Hilla Becher and the politics of Simone de Beauvoir’s The Second Sex, Typology of Women expresses both the reduction of the represented female form and its almost infinite diversity.
Featured image is reproduced from Bastienne Schmidt: Typology of Women.
in stock $30.00
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FORMAT: Hbk, 7.5 x 9.5 in. / 112 pgs / 40 color. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $40 ISBN: 9783868593884 PUBLISHER: Jovis AVAILABLE: 4/26/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA AFR
Enigmatic hand-painted silhouettes of women from Bridgehampton-based multi-media artist Bastienne Schmidt.
Published by Jovis.
For her latest publication, Typology of Women, German-born, Hamptons-based mixed-media artist Bastienne Schmidt (born 1961) has created a series of hand-painted orange cutouts of different types of women as they have been represented in different historical periods, in popular culture and in literature. The clarifying, codifying logic of the typology—the systematic classification of types that have characteristics in common—is undermined by Schmidt’s spare, enigmatic silhouettes. Referencing ancient Greek pottery, Japanese woodcuts, American pop culture and fairy tales, Schmidt’s figures are vaguely familiar and recognizably female but often seem to dodge exact classification. Also inspired by the rigorous systematic method of Bernd and Hilla Becher and the politics of Simone de Beauvoir’s The Second Sex, Typology of Women expresses both the reduction of the represented female form and its almost infinite diversity.
