A groundbreaking work, edited by Germano Celant in collaboration with the artist and her New York studio, which enriches our knowledge of Louise Bourgeois. Over a long career she worked through most of the twentieth century's avant-garde artistic movements from abstraction to realism, yet always remained uniquely individual, powerfully inventive, and often at the forefront of contemporary art. She was one of the world’s most respected sculptors, best known for her public-space pieces, grand-scale sculptures of spiders so large they must rest outside. But beginning in the 1960s, she used her own clothing and that of her loved ones as components of her sculptures and designs: a reincarnation of her childhood and her past. Her art would expand into new realms in 2002 when she began to weave together scraps of iridescent-colored fabric, creating works that vary from figures of flowers to chromatic abstractions, constituting a repertoire of truly surprising interweaves. This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalog.
Germano Celant, PhD in contemporary art and theory, is the author of more than 100 publications. He is also the curator of hundreds of exhibitions in the most prominent international museums and institutions.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Hbk, 9.75 x 11.25 in. / 336 pgs / 474 color. LIST PRICE: U.S. $90.00 LIST PRICE: CANADA $115 ISBN: 9788857206547 PUBLISHER: Skira AVAILABLE: 4/26/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA
A groundbreaking work, edited by Germano Celant in collaboration with the artist and her New York studio, which enriches our knowledge of Louise Bourgeois. Over a long career she worked through most of the twentieth century's avant-garde artistic movements from abstraction to realism, yet always remained uniquely individual, powerfully inventive, and often at the forefront of contemporary art. She was one of the world’s most respected sculptors, best known for her public-space pieces, grand-scale sculptures of spiders so large they must rest outside. But beginning in the 1960s, she used her own clothing and that of her loved ones as components of her sculptures and designs: a reincarnation of her childhood and her past. Her art would expand into new realms in 2002 when she began to weave together scraps of iridescent-colored fabric, creating works that vary from figures of flowers to chromatic abstractions, constituting a repertoire of truly surprising interweaves. This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalog.
Germano Celant, PhD in contemporary art and theory, is the author of more than 100 publications. He is also the curator of hundreds of exhibitions in the most prominent international museums and institutions.
