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| | | | Kembra Pfahler: BeautalismText by Kathy Grayson.
After more than three decades in the New York underground scene, we finally have a book on the inimitable Kembra Pfahler, artist and lead singer of the interdisciplinary rock band, the Voluptuous Horror of Karen Black. Cataloguing her recent projects for the 2008 Whitney Biennial--which included a huge rock show in the Park Avenue Armory--this volume also features her most notorious body-art performances and shocking Sewn Vagina and Wall of Vagina pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath. Also included are images of her drawings, sculptural works and installations, alongside short texts by the artist and an essay by curator and sometimes Girl of Karen Black, Kathy Grayson.
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FORMAT: Pbk, 10 x 10 in. / 92 pgs / 90 color.
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $40
GBP £27.00
ISBN: 9780981577135
PUBLISHER: Deitch Projects
AVAILABLE: 2/1/2009
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2009 Page 90 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| Kembra Pfahler: Beautalism Published by Deitch Projects.
Text by Kathy Grayson. After more than three decades in the New York underground scene, we finally have a book on the inimitable Kembra Pfahler, artist and lead singer of the interdisciplinary rock band, the Voluptuous Horror of Karen Black. Cataloguing her recent projects for the 2008 Whitney Biennial--which included a huge rock show in the Park Avenue Armory--this volume also features her most notorious body-art performances and shocking Sewn Vagina and Wall of Vagina pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath. Also included are images of her drawings, sculptural works and installations, alongside short texts by the artist and an essay by curator and sometimes Girl of Karen Black, Kathy Grayson.
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