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ChartaBOOK FORMAT
Paperback, 8.5 x 10.25 in. / 240 pgs / 274 color / 75 bw. PUBLISHING STATUS
Pub Date 2/1/2007
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Catalog: SPRING 2007 p. 61 PRODUCT DETAILS
ISBN 9788881586264 TRADE
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Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | CHARTAMarina Abramovic: Seven Easy PiecesInterview by Nancy Spector. Text by Marina Abramovic, Erika Fischer-Lichte, Sandra Umathum.
This new monograph documents seven consecutive, groundbreaking nights of monumental, solo, body-art performances by the internationally renowned artist, Marina Abramovic, during the Fall of 2005 in the famous rotunda of New York City's Guggenheim Museum. It includes a new piece created by Abramovic specifically for the project, as well as Abramovic's renditions of six other seminal works (by five other artists and herself) from the formative decade, 1965-1975. The works include reenactments of Vito Acconci's Seedbed (1972), in which the artist occupied the space under a false floor, masturbating and speaking through a microphone to visitors above; Valie Export's Action Pants: Genital Panic (1969) in which Export walked through a movie theater in crotchless pants, challenging the audience to turn from the images of women on the screen to a real female body; and Abramovic's own Lips of Thomas (1975), in which she ate a kilogram of honey and drank a liter of red wine before breaking her glass with her hand, incising a star in her stomach with a razor blade, whipping herself until she "no longer felt pain," then lying down on an ice cross while a space heater suspended above her caused her to bleed even more profusely. Also included, Bruce Nauman's Body Pressure, Gina Pane's The Conditioning, and Joseph Beuys's critical exploration, How To Explain Pictures of a Dead Hare. In this important series, Abramovic gives us the opportunity to recall, revive and preserve major historical performance pieces, all of which are inherently ephemeral, in a completely original way. With an interview by the esteemed Guggenheim curator, Nancy Spector.
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| | | | OF RELATED INTEREST |  | Artwork by Marina Abramovic. Contributions by Thomas McEvilley, Bojana Pejic, Toni Stoos.CHARTAISBN: 9788881581757
USD $75.00 | CAN $90Pub Date: 7/2/1998
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|  | Artwork by Marina Abramovic. Contributions by Dobrila de Negri.CHARTAISBN: 9788881581603
USD $19.95 | CAN $25Pub Date: 9/2/1998
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|  | Essays by Marina Abramovic, Germano Celant.CHARTAISBN: 9788881582952
USD $75.00 | CAN $90Pub Date: 8/2/2001
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| |  | By Adelina von Furstenberg.SKIRAISBN: 9788876246784
USD $34.95 | CAN $45Pub Date: 9/5/2006
Active | In stock
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|  | Edited by Lćrke Rydal Jřrgensen.LOUISIANA MUSEUM OF MODERN ARTISBN: 9788792877932
USD $23.00 | CAN $32Pub Date: 2/27/2018
Active | In stock
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|  | Edited by Lena Essling. Text by Marina Abramovic, Tine Colstrup, Lena Essling, Adrian Heathfield, Bojana Pejic, Devin Zuber.HATJE CANTZISBN: 9783775742610
USD $60.00 | CAN $79Pub Date: 6/27/2017
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|  | KOENIG BOOKSISBN: 9783863355821
USD $49.95 | CAN $67.5Pub Date: 6/23/2015
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|  | Edited by Hans Ulrich Obrist.WALTHER KöNIG, KöLNISBN: 9783865604750
USD $35.00 | CAN $47.5Pub Date: 8/30/2010
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FORMAT: Paperback, 8.5 x 10.25 in. / 240 pgs / 274 color / 75 b&w.
LIST PRICE: U.S. $59.95
LIST PRICE: CANADA $70
ISBN: 9788881586264
PUBLISHER: Charta
AVAILABLE: 2/1/2007
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| Marina Abramovic: Seven Easy Pieces Published by Charta.
Interview by Nancy Spector. Text by Marina Abramovic, Erika Fischer-Lichte, Sandra Umathum. | This new monograph documents seven consecutive, groundbreaking nights of monumental, solo, body-art performances by the internationally renowned artist, Marina Abramovic, during the Fall of 2005 in the famous rotunda of New York City's Guggenheim Museum. It includes a new piece created by Abramovic specifically for the project, as well as Abramovic's renditions of six other seminal works (by five other artists and herself) from the formative decade, 1965-1975. The works include reenactments of Vito Acconci's Seedbed (1972), in which the artist occupied the space under a false floor, masturbating and speaking through a microphone to visitors above; Valie Export's Action Pants: Genital Panic (1969) in which Export walked through a movie theater in crotchless pants, challenging the audience to turn from the images of women on the screen to a real female body; and Abramovic's own Lips of Thomas (1975), in which she ate a kilogram of honey and drank a liter of red wine before breaking her glass with her hand, incising a star in her stomach with a razor blade, whipping herself until she "no longer felt pain," then lying down on an ice cross while a space heater suspended above her caused her to bleed even more profusely. Also included, Bruce Nauman's Body Pressure, Gina Pane's The Conditioning, and Joseph Beuys's critical exploration, How To Explain Pictures of a Dead Hare. In this important series, Abramovic gives us the opportunity to recall, revive and preserve major historical performance pieces, all of which are inherently ephemeral, in a completely original way. With an interview by the esteemed Guggenheim curator, Nancy Spector.
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