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| | | | Gerhard Richter: Image After ImageEdited by Michael Juul Holm, Anders Kold and Mette Marcus. Essays by Poul Erik T¯jnerand Troels Wˆrsel.
In 2004 a Danish newspaper revealed the provenance of the magazine-clipping source image for Gerhard Richterís 1965 painting Three Sisters, which had up until then been a mystery, even to the artist. The girls were in fact the three Danish princesses Margrethe (now Queen Margrethe II), Benedikte, and Anne-Marie. That newly topical work was brought to Copenhagenís Louisiana Museum of Art along with 80 others for the first comprehensive show in Denmark devoted to Richter, and this catalogue now provides an inviting overview of the important German artistís career. It also explores questions about the imagery from which Richter draws, which includes apparently anonymous material from newspapers and magazines, as well as snapshots by the artist himself and others. In addition to reproductions of his paintings, both figurative and abstract, this volume contains a biography, essays, and a selection of photographs of Richter from 1967 to 1999 by Manfred Leve.
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FORMAT: Hardcover, 9.25 x 12 in. / 160 pgs / 104 color.
LIST PRICE: U.S. $33.00
LIST PRICE: CANADA $40
ISBN: 9788791607097
PUBLISHER: Louisiana Museum of Modern Art
AVAILABLE: 8/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2005 Page 156 | PRESS INQUIRIES
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| Gerhard Richter: Image After Image Published by Louisiana Museum of Modern Art.
Edited by Michael Juul Holm, Anders Kold and Mette Marcus. Essays by Poul Erik T¯jnerand Troels Wˆrsel. In 2004 a Danish newspaper revealed the provenance of the magazine-clipping source image for Gerhard Richterís 1965 painting Three Sisters, which had up until then been a mystery, even to the artist. The girls were in fact the three Danish princesses Margrethe (now Queen Margrethe II), Benedikte, and Anne-Marie. That newly topical work was brought to Copenhagenís Louisiana Museum of Art along with 80 others for the first comprehensive show in Denmark devoted to Richter, and this catalogue now provides an inviting overview of the important German artistís career. It also explores questions about the imagery from which Richter draws, which includes apparently anonymous material from newspapers and magazines, as well as snapshots by the artist himself and others. In addition to reproductions of his paintings, both figurative and abstract, this volume contains a biography, essays, and a selection of photographs of Richter from 1967 to 1999 by Manfred Leve.
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