PUBLISHER
Dominique Lévy

BOOK FORMAT
Hardcover, 9.25 x 12 in. / 140 pgs / 91 color / 15 duotone.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2016 p. 103   

PRODUCT DETAILS
ISBN 9781944379018 TRADE
List Price: $60.00 CDN $79.00 GBP £53.00

AVAILABILITY
In stock

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DOMINIQUE LéVY

Gerhard Richter: Colour Charts

Text by Dietmar Elger, Hubertus Butin, Jaleh Mansoor.

Gerhard Richter: Colour ChartsIn 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career.

This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the ‘70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia, whose research concentrates on modern abstraction and its socioeconomic implications, this is a handsome tribute to one of Richter’s most groundbreaking bodies of work.

Featured image is reproduced from 'Gerhard Richter: Colour Charts.'

Gerhard Richter: Colour Charts

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FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 8/11/2016

Gerhard Richter: Colour Charts

Gerhard Richter: Colour Charts, Six Yellows

"Six Yellows" (1966) is reproduced from Gerhard Richter: Colour Charts, new from Dominique Lévy. Gatefolds, historical photographs, installation shots, drawings and scholarly essays surround a rich plate section presenting this historical series inspired by industrially produced paint chips. "In 1966, Gerhard Richter's first Colour Charts revealed a crucial path to making pictures that would avoid the traps of painterly expressivity and artistic subjectivity," Dietmar Elger, Director of the Gerhard Richter Archive, writes. "Even decades later, he described these works as a 'happy stroke of luck' within his oeuvre." continue to blog


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