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| | | | Gerhard Richter: 100 Self-PortraitsAfterword by Hubertus Butin.
For the subscription edition of Gerhard Richter's (born 1932) Schriften und Interviews, published by Insel Verlag in 1993 in an edition of 100 copies, the artist drew a small "self-portrait" in pencil on the back of a portrait photograph at the front of the book. Enthused by this work, between September and December 1993 he produced a further 94 signed and dated self-portraits on loose sheets of paper, which are published here for the first time. Seen together as a series, Richter's exercise becomes truly impressive: despite the consistency of conception, each instance has an individual formal and aesthetic appearance. These pencil drawings form a series of variations whose aspiration is not the gradual approach toward a perfected final outcome, but rather the serial testing of different but equally weighted possibilities of representation within limited specifications.
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FORMAT: Hbk, 6.5 x 9.25 in. / 212 pgs / 100 color / 1 b&w.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
ISBN: 9783960983880
PUBLISHER: Walther König, Köln
AVAILABLE: 11/20/2018
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2019 Page 14 | PRESS INQUIRIES
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| Gerhard Richter: 100 Self-Portraits Published by Walther König, Köln.
Afterword by Hubertus Butin. For the subscription edition of Gerhard Richter's (born 1932) Schriften und Interviews, published by Insel Verlag in 1993 in an edition of 100 copies, the artist drew a small "self-portrait" in pencil on the back of a portrait photograph at the front of the book. Enthused by this work, between September and December 1993 he produced a further 94 signed and dated self-portraits on loose sheets of paper, which are published here for the first time. Seen together as a series, Richter's exercise becomes truly impressive: despite the consistency of conception, each instance has an individual formal and aesthetic appearance. These pencil drawings form a series of variations whose aspiration is not the gradual approach toward a perfected final outcome, but rather the serial testing of different but equally weighted possibilities of representation within limited specifications.
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