Edited by Marla Hurov and Adrienne Drake. Essays by Luk Lambrecht and Edi Muka. Prefaces by Andi Tepelena and Cecila Tirelli. Published by Hatje Cantz PublishersWhen Sislej Xhafa mowed the word Benvenuto into a Tuscan hillside, European immigration-policy wonks squirmed a bit. His Pleasure Our Flowers decorated a Ghent police station with Biedermeier chairs and Persian carpets. This subversive young Kosovar, Albania's representative to the 2005 Venice Biennale, has also been known to photograph himself as a pickpocket and a mafioso.
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