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| | TITLE | Gusmano Cesaretti: Fragments of Los Angeles 1969-1989 | IMPRINT | Damiani/Alleged Press | PRICE US | $50.00 CDN $50.00 | ISBN | 9788862082754 TRADE | FORMAT | Hbk, 9.5 x 12.5 in., 160 pgs, illustrated throughout. | CATALOG | SPRING 2013 p. 90 | DISTRIBUTOR | D.A.P. | PUB DATE | 4/30/2013 | STATUS | Active | STOCK | In stock |
| | NEW PHOTOGRAPHY Introduction by Joel Smith. Text by Orlando Luis Pardo Lazo.
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| | | Gusmano Cesaretti: Fragments of Los Angeles 1969-1989Edited by Aaron Rose. Text by Jeffrey Deitch, Michael Mann.Self-taught Italian photographer Gusmano Cesaretti (born 1944) was one of the very first photographers to document the street culture of East Los Angeles, and The Thrill Is Gone is a retrospective history of his celebrated photographic work of the 1970s. Chapters include “Bikers,” “East L.A. Diary,” “Folsom Prison,” “Maria Sabina,” “Muscle Beach” and “Street Writers,” along with selected other iconic images from this important time in the photographer’s creative history. As a boy growing up in Italy, Cesaretti listened to jazz and rock ’n’ roll on the radio, and was drawn to the worlds of Marlon Brando and James Dean in Hollywood movies. But when he arrived in the U.S.--Cesaretti has lived in Los Angeles since 1970--it was the raw energy, graffiti, culture and people of East L.A. that seduced him. His early work--featured here in the chapter “East L.A. Diary”--documents his immersion in the low-rider subculture of the Klique car club. Cesaretti credits his poor English with allowing him to earn the trust of local residents--he found it hard to understand their graffiti on his own and had to ask for help. Independent curator Aaron Rose describes him as “one of the few true artists documenting outlaw cultures in the tradition of Robert Frank.” | |
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 | Gusmano Cesaretti: Fragments of Los Angeles 1969-1989 Published by: Damiani/Alleged Press Distributed by: D.A.P. | Distributed Art Publishers |  |
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $50
ISBN: 9788862082754
PUBLISHER: Damiani/Alleged Press
AVAILABLE: 4/30/2013
FORMAT: Hbk, 9.5 x 12.5 in. / 160 pgs / illustrated throughout.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
| D.A.P. CATALOG:
SPRING 2013 Page 90 | Info Last Updated:
May 01, 2013 |
| Gusmano Cesaretti: Fragments of Los Angeles 1969-1989
Edited by Aaron Rose. Text by Jeffrey Deitch, Michael Mann. Self-taught Italian photographer Gusmano Cesaretti (born 1944) was one of the very first photographers to document the street culture of East Los Angeles, and The Thrill Is Gone is a retrospective history of his celebrated photographic work of the 1970s. Chapters include “Bikers,” “East L.A. Diary,” “Folsom Prison,” “Maria Sabina,” “Muscle Beach” and “Street Writers,” along with selected other iconic images from this important time in the photographer’s creative history. As a boy growing up in Italy, Cesaretti listened to jazz and rock ’n’ roll on the radio, and was drawn to the worlds of Marlon Brando and James Dean in Hollywood movies. But when he arrived in the U.S.--Cesaretti has lived in Los Angeles since 1970--it was the raw energy, graffiti, culture and people of East L.A. that seduced him. His early work--featured here in the chapter “East L.A. Diary”--documents his immersion in the low-rider subculture of the Klique car club. Cesaretti credits his poor English with allowing him to earn the trust of local residents--he found it hard to understand their graffiti on his own and had to ask for help. Independent curator Aaron Rose describes him as “one of the few true artists documenting outlaw cultures in the tradition of Robert Frank.” | http://www.artbook.com/9788862082754.html |
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