PHOTOGRAPHER MONOGRAPHS

PUBLISHER

BOOK FORMAT
Paperback, 9.5 x 9.5 in. / 192 pgs / 129 color.

PUBLISHING STATUS
Pub Date
Out of print

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2013 p. 99   

PRODUCT DETAILS
ISBN 9788836625406 TRADE
List Price: $35.00 CDN $40.00

AVAILABILITY
Not available

BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

Lucia Moholy: Between Photography and Life 1894-1989

Text by Angela Madesani, Nicoletta Ossanna Cavadini, Angelo Maggi, Stefania Schibeci, Antonello Negri.

Featured image is reproduced from <I>Lucia Moholy: Between Photography and Life 1894-1989</I>.After studying philosophy, philology and art history, Lucia Moholy (1894–1989) worked as an editor and lecturer first in Prague and, after 1918, in Germany. In 1920 she met and married the Hungarian artist László Moholy-Nagy in Berlin. From 1923 to 1924, Lucia studied photography in Leipzig, and when her husband secured a position at the Bauhaus, she embraced the school’s thriving culture and community, producing many of the iconic images and portraits associated with the school, and becoming the most prolific photographic chronicler of the Bauhaus movement and of the Neue Sachlichkeit. Polymathic in her abilities and activities, Moholy is a central figure in the history of twentieth-century photography, although the fame of her husband overshadowed her work for many years. This abundantly illustrated, affordable volume appraises her lengthy career.

Featured image is reproduced from Lucia Moholy: Between Photography and Life 1894-1989.

Lucia Moholy: Between Photography and Life 1894-1989

STATUS: Out of print | 00/00/00

For assistance locating a copy, please see our list of recommended out of print specialists

FROM THE BOOK
Lucia Moholy’s photographic images are cultural icons of the Modern, and it is almost impossible in viewing them again not to recognize places and portraits etched in our memory or our knowledge by their expressive power, their unusual angles and powerful chiaroscuro effects.” -Nicolegga Ossanna Cavadini and Peter Pfrunder

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