ART CRITICISM, THEORY & HISTORY

TITLE

The Biennial Reader

IMPRINT

Hatje Cantz

PRICE US

$55.00 CDN $55.00

ISBN

9783775726108 TRADE

FORMAT

Pbk, 2 vols., 6.5 x 10 in., 568 pgs, 20 color, 100 b&w.

CATALOG

FALL 2010 p. 111   

DISTRIBUTOR

D.A.P.

PUB DATE

11/30/2010

STATUS

Active

STOCK

Awaiting stock

NEW & FORTHCOMING

WOMEN'S WORK. IS NEVER DONE

By Catherine de Zegher. Introduction by Griselda Pollock, Jean Fisher.
ASAMER

SELF-ORGANISED

Edited by Stine Herbert, Anne, Szefer Karlsen. Text by Julie Ault, Maibritt Borgen, Céline Condorelli & Johan Frederik Hartle, Anthony Davies, Stephan Dillemuth & Jakob Jakobsen, Charles Esche, Barnaby Drabble, et al.
OPEN EDITIONS/HORDALAND ART CENTRE

SHE’S GOT WHAT IT TAKES

By Deanna Sirlin.
CHARTA

PARACHUTE: THE ANTHOLOGY, VOLUME II

Edited by Chantal Pontbriand. Text by Nora M. Alter, Jim Drobnick, Stephen Horne, Ruth Kerkham, Johanne Lamoureux, Marc James Léger, Kate Linker, Birgit Pelzer, Bruce Hugh Russell, William Wood, Alexander Alberro.
JRP|RINGIER

  

HATJE CANTZ

The Biennial Reader

Edited by Elena Filipovic, Marieke van Hal, Solveig Øvstebo. Texts by Carlos Basualdo, Daniel Buren, John Clark, Okwui Enwezor, Bruce Ferguson, Milena Hoegsberg, Ranjit Hoskote, Caroline A. Jones, Jakouba Konaté, Gerardo Mosquera, Rafal Niemojewski, et al.

Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications. This anthology on the art biennial gathers previously published seminal texts from around the world alongside commissioned contributions from the leading scholars, curators, critics and thinkers today--among them Carlos Basualdo, Daniel Buren, John Clark, Okwui Enwezor, Bruce Ferguson, Milena Hoegsberg, Ranjit Hoskote, Caroline A. Jones, Jakouba Konaté, Gerardo Mosquera and Rafal Niemojewski. Tracing the genealogy of the standard exhibition format--including biennials but also other recurrent exhibitions such as triennials and quadrennials--and examining some of the most famous examples of the twentieth and twenty-first century, from the Venice Biennale to the Johannesburg Biennial and the Havana Bienal to Documenta and the Asian biennials, this reader explores the artistic, theoretical, political and other ambitions of such large-scale exhibition projects. It is certain to be a vital resource for scholars, students, curators, artists and critics alike.

The Biennial Reader

STATUS: Temporarily out of stock pending additional inventory.

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