| | BOOK FORMAT Flexi, 8.75 x 11.75 in. / 104 pgs / 12 color / 70 bw. PUBLISHING STATUS Pub Date 7/31/2011 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2011 p. 139 PRODUCT DETAILS ISBN 9781933619330 TRADE List Price: $24.95 CDN $33.95 AVAILABILITY Out of stock | EXHIBITION SCHEDULECambridge, MA MIT List Visual Arts Center, 02/03/2011-04/03/11
Houston, TX Contemporary Arts Museum, 05/14/11-07/31/11 | | BROWSE THE 2019 SPRING CATALOG  Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019! |
|   |   | Stan VanDerBeek: The Culture IntercomText by Bill Arning, Jane Farver, Mark Bartlett, Jacob Proctor, João Ribas, Gloria Sutton, Michael Zyrd.
American independent filmmaker Stan VanDerBeek (1927-1984) was one of the first to extend film projection into multimedia spectacle and to embrace video and computer technology: a supreme instance of what critic Gene Youngblood dubbed "Expanded Cinema."
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
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FORMAT: Flexi, 8.75 x 11.75 in. / 104 pgs / 12 color / 70 b&w. LIST PRICE: U.S. $24.95 LIST PRICE: CANADA $33.95 ISBN: 9781933619330 PUBLISHER: Contemporary Arts Museum Houston/MIT List Visual Arts Center AVAILABLE: 7/31/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock
| D.A.P. CATALOG: SPRING 2011 Page 139 | INFO AS OF: June 18, 2017 | PRESS INQUIRIES
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| Stan VanDerBeek: The Culture Intercom Published by Contemporary Arts Museum Houston/MIT List Visual Arts Center. Text by Bill Arning, Jane Farver, Mark Bartlett, Jacob Proctor, João Ribas, Gloria Sutton, Michael Zyrd. | American independent filmmaker Stan VanDerBeek (1927-1984) was one of the first to extend film projection into multimedia spectacle and to embrace video and computer technology: a supreme instance of what critic Gene Youngblood dubbed "Expanded Cinema."
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