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| | PUBLISHER
ChartaBOOK FORMAT
Hardcover, 9.5 x 11.5 in. / 496 pgs / 205 color / 343 bw. PUBLISHING STATUS
Pub Date 8/2/2001
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2001 PRODUCT DETAILS
ISBN 9788881582952 TRADE
List Price: $75.00 CDN $90.00 AVAILABILITY
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| | | CHARTAMarina Abramovic: Public BodyEssays by Marina Abramovic, Germano Celant.
Public Body is the third book in a trilogy dedicated to Marina Abramovic, and presents the work ''Transitory Objects for Human and Non-Human Use.'' In this work Abramovic built a series of transitory objects with the objective of engendering active audience participation. Abramovic hit upon the idea while she was walking along the Great Wall of China; she realized that it was the first time that she was doing a performance without an audience. To transmit this experience she constructed a series of objects: for ''human use,'' ''spiritual use,'' and ''use of power.'' These objects--made of iron, wood, minerals, pigs' blood, and human hair--all ''contain a certain kind of energy,'' according to Abramovic. She does not see these works as sculptures, but as ephemeral objects that trigger public experiences through direct interaction. Whereas the first two books in the trilogy, Performing Body and Artist Body, focused on the artist and her oeuvre, Public Body flips the proverbial script, enacting a role reversal between artist and audience. The book features an impassioned essay by Abramovic concerning her thoughts on public performance and her recent trips to China, India, Japan, and Brazil, as well as an interview with the artist by Germano Celant.
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FORMAT: Hardcover, 9.5 x 11.5 in. / 496 pgs / 205 color / 343 b&w.
LIST PRICE: U.S. $75.00
LIST PRICE: CANADA $90
ISBN: 9788881582952
PUBLISHER: Charta
AVAILABLE: 8/2/2001
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Marina Abramovic: Public Body Published by Charta.
Essays by Marina Abramovic, Germano Celant. Public Body is the third book in a trilogy dedicated to Marina Abramovic, and presents the work ''Transitory Objects for Human and Non-Human Use.'' In this work Abramovic built a series of transitory objects with the objective of engendering active audience participation. Abramovic hit upon the idea while she was walking along the Great Wall of China; she realized that it was the first time that she was doing a performance without an audience. To transmit this experience she constructed a series of objects: for ''human use,'' ''spiritual use,'' and ''use of power.'' These objects--made of iron, wood, minerals, pigs' blood, and human hair--all ''contain a certain kind of energy,'' according to Abramovic. She does not see these works as sculptures, but as ephemeral objects that trigger public experiences through direct interaction. Whereas the first two books in the trilogy, Performing Body and Artist Body, focused on the artist and her oeuvre, Public Body flips the proverbial script, enacting a role reversal between artist and audience. The book features an impassioned essay by Abramovic concerning her thoughts on public performance and her recent trips to China, India, Japan, and Brazil, as well as an interview with the artist by Germano Celant.
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