| BEAUTIFUL LOSERS Edited by Aaron Rose and Christian Strike. Interview with Agnes B.D.A.P./ICONOCLAST U.S. $39.95 | CAN $48 ISBN: 9781933045306 | TRADE PUB DATE: 10/15/2005 | In stock | | FORTHCOMING AND NEW TITLES HAND + MADE: THE PERFORMATIVE IMPULSE IN ART AND CRAFT Edited by Valerie Cassel Oliver. Text by Glenn Adamson, Valerie Cassel Oliver, Namita Wiggers. Contemporary Arts Museum HoustonDOING-COOKING Edited by Ines Schaber, Brandon LaBelle. Text by Ken Ehrlich, Allen S. Weiss, Avery Gordon. Errant Bodies Press: Surface Tension Supplement No. 4FAST FORWARD 2: THE POWER OF MOTION MEDIA ART Edited by Stephan Urbaschek, Ingvild Goetz. Texts by Andreas Beitin, Gregor Jansen, Stephan Urbaschek, Peter Weibel, Andreas Weisser. Hatje CantzOF BRIDGES & BORDERS Edited by Sigismond de Vajay. Text by Cuauhtémoc Medina, Andrea Giunta, Pedro Denoso. JRP|RingierTHE STORYTELLER Edited by Claire Gilman, Margaret Sundell. Text by T.J. Demos, Okwui Enwezor, Claire Gilman. JRP|RingierPROMISES OF THE PAST Edited by Natasa Petresin, Christine Macel. Text by Vit Havránek, Joanna Mytkowska, Slavoj Zizek. JRP|RingierCOLLAGE CULTURE Edited by Aaron Rose, Mandy Kahn. JRP|RingierCOLOR IN ART Edited and with Introduction by Michael Juul Holm, Helle Crenzien. Preface by Stephanie Rachum. Text by Jacob Wamberg, John Gage, et al. Louisiana Museum of Modern ArtFRESH INK Text by Hao Sheng, Joe Scheier-Dolberg, Yan Yang. MFA PublicationsHOW MANY BILLBOARDS? Edited by Peter Noever. Text by Kimberli Meyer, Gloria Sutton, Lisa Henry, Nizan Shaked. Verlag für moderne KunstSTREET AND STUDIO Edited by Cathérine Hug, Gerald Matt, Thomas Miessgang. Text by Glenn O'Brien, Dieter Buchhart. Interviews with Rita Ackermann, Charlie Ahearn, Tamra Davis, Ari Marcopoulos, Glenn O'Brien. Verlag für moderne KunstGREATER NEW YORK 2010 Text by Klaus Biesenbach, Cornelia H. Butler, Neville Wakefield. P.S.1 Contemporary Art CenterWITH A PROBABILITY OF BEING SEEN Text by Thomas Kellein, Friedrich Meschede, Guido de Werd. Richter VerlagSKIN FRUIT Text by Lisa Phillips, Massimiliano Gioni. Conversation with Jeff Koons. New MuseumBEG BORROW AND STEAL Edited by Juan Roselione-Valadez. Text by Karl Haendel, Thomas Houseago, David Moos, Heidi Zuckerman Jacobson. Rubell Family CollectionIMPRESSIONISM ON THE SEINE Edited by Marina Ferretti Bocquillon. Text by Marina Ferretti Bacquillon, Anne L. Cowe, Dominique Lobstein, Vanessa Lecomte. Silvana EditorialeL.A. OBJECT & DAVID HAMMONS BODY PRINTS Edited by Lindsay Charlwood, Connie Rogers Tilton, Jack Tilton. Tilton Gallery/Roberts & TiltonAUDIOVISUOLOGY COMPENDIUM Edited by Dieter Daniels, Sarah Naumann. Walther König, KölnTHE NEW DéCOR Edited with an introduction by Ralph Rugoff. Text by Hal Foster, Michelle Kuo, Kirsty Bell, Christy Lange, Skye Sherwin. Hayward PublishingTHE DISSOLVE Edited by Sarah King. Foreword by Laura Steward. Introduction by Nancy M. Mathews. Text by Sarah Lewis, Daniel Belasco. SITE Santa FeEATING THE UNIVERSE Text by Magdalena Holzhey, Renate Buschmann, Ulrike Groos, Beate Ermacora, Elke Krasny, Nikolai Wojtko, Christiane Boje. DuMont Buchverlag |
|   |   | Beautiful LosersContemporary Art and Street CultureEdited by Aaron Rose and Christian Strike. Interview with Agnes B. Published by D.A.P./IconoclastThe greatest cultural accomplishments in history have never been the result of the brainstorms of marketing men, corporate focus groups or any homogenized methods; they have always happened organically. More often than not, these manifestations have been the result of a few like-minded people coming together to create something new and original for no other purpose than a common love of doing it. In the 1990s, a loose-knit group of American artists and creators, many just out of their teens, began their careers in just such a way. Influenced by the popular underground youth subcultures of the day, such as skateboarding, graffiti, street fashion and independent music, artists like Shepard Fairey, Mark Gonzales, Spike Jonze, Margaret Kilgallen, Mike Mills, Barry McGee, Phil Frost, Chris Johanson, Harmony Korine and Ed Templeton began to create art that reflected the lifestyles they led. Many had no formal training and almost no conception of the inner workings of the art world. They learned their crafts through practice, trial and error, and good old-fashioned innovation. Not since the Beat Generation have we seen a group of creative individuals with such a unified aesthetic sense and varied cultural facets. The world of art has been greatly affected by their accomplishments as have the worlds of fashion, music, literature, film, and, ironically, athletics. Beautiful Losers is a retrospective celebration of this spirit, with hundreds of artworks by over two dozen artists, from precursors like Jean-Michel Basquiat, Keith Haring and Larry Clark, to more recent adherents Ryan McGinness, KAWS and Geoff McFetridge. Work in all conceivable mediums is included, plus reproductions of reams of ephemera. The accompanying essays are contributed by a half-dozen writers who have championed these beautiful losers from the start. This paperback reprint includes more pages, more images, an exhibition checklist, installation shots from a variety of exhibitions and an interview with Beautiful Losers advocate Agnes B. | D.A.P. CATALOG: FALL 2005 p. 58 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| BEAUTIFUL LOSERS $39.95 | In Stock: Order below or contact your local bookstore or museum shop.
| U.S. LIST PRICE: U.S. $39.95 CANADIAN PRICE: CAN $48 ISBN: 9781933045306 FORMAT: Paperback, 8.5 x 11 in. / 288 pgs / 220 color / 200 b&w. PUBLISHER: D.A.P./Iconoclast DISTRIBUTION: | RETAILER DISC: TRADE PUBLICATION DATE: 10/15/2005 | Active AVAILABILITY: In stock |
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