FILM THEORY & SURVEYS

TITLE

Film as a Subversive Art

IMPRINT

D.A.P./C.T. Editions

PRICE US

$25.00 CDN $25.00

ISBN

9781933045276 TRADE

FORMAT

Paperback, 6.25 x 8.25 in., 344 pgs, 300 color.

CATALOG

FALL 2005 p. 34   

DISTRIBUTOR

D.A.P.

PUB DATE

9/15/2005

STATUS

Active

STOCK

Not available

NEW & FORTHCOMING

THE BERLIN SCHOOL: FILMS FROM THE BERLINER SCHULE

Edited by Rajendra Roy, Anke Leweke. Text by Thomas Arslan, Valeska Grisebach, Benjamin Heisenberg, Christoph Hochhäusler, Nina Hoss, Dennis Lim, Katja Nicodemus, Christian Petzold, Rainer Rother.
THE MUSEUM OF MODERN ART, NEW YORK

BIRDS OF PARADISE

Edited and with an introduction by Marketa Uhlirova. Text by Lucy Fischer, Inga Fraser, Ronald Gregg, Sumiko Higashi, Catherine Hindson, Esther Leslie, Giovanni Lista, Eugenia Paulicelli, Ryan Powell, Jody Sperling, Juan A. Suárez, Karl Toepfer, Marketa Uhlirova.
WALTHER KöNIG, KöLN

BETWEEN THE IMAGES

By Raymond Bellour. Edited by Lionel Bovier.
JRP|RINGIER

ZELLULOID

Edited by Max Hollein, Esther Schlicht. Text by Yann Beauvais, Esther Schlicht, Marc Glöde, Heide Häusler.
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D.A.P./C.T. EDITIONS

Film as a Subversive Art

by Amos Vogel

By Amos Vogel. Foreword by Scott MacDonald.

A classic returns! The original edition of Amos Vogel's seminal book, Film as a Subversive Art was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the “accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored.” So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, Film as a Subversive Art analyzes how aesthetic, sexual and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works.

Film as a Subversive Art

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