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| | | THE CENTER FOR ART, DESIGN AND VISUAL CULTUREFred Wilson: Objects And Installations, 1979-2000Issues in Cultural Theory, No. 4Edited by John Alan Farmer and Antonia Gardner. Essays by Maurice Berger, Jennifer Gonzalez.
If social justice is Fred Wilson's subject, the museum is his medium. By placing meticulously rendered objects in environments that carefully recreate the details of a museum setting, down to their wall colors, lighting, display cases and wall labels, Wilson incisively explores the question of how the museum consciously and unconsciously perpetuates racist beliefs and behavior. From Egyptian and classical Greek and Roman sculpture to African-American memorabilia, from the primativist painting of Picasso to the uniforms worn by often black museum guards, Wilson's provocative juxtapositions speak to a complex history of museological omission, manipulation and oversight. This book marks the artist's first mid-career survey. | D.A.P. CATALOG SPRING 2002 | | ARTIST | TITLE | KEYWORD SEARCH |
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ISBN: 9781890761042
FORMAT: Paperback, 9 x 12 in. / 176 pgs / 120 color / 15 b&w.
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 | Fred Wilson: Objects And Installations, 1979-2000 Published by: The Center for Art, Design and Visual Culture Distributed by: D.A.P. | Distributed Art Publishers |  |
LIST PRICE: U.S. $34.95
LIST PRICE: CANADA $34.95
ISBN: 9781890761042
PUBLISHER: The Center for Art, Design and Visual Culture
AVAILABLE: 3/2/2002
FORMAT: Paperback, 9 x 12 in. / 176 pgs / 120 color / 15 b&w.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
| D.A.P. CATALOG:
SPRING 2002 | Info Last Updated:
January 9, 2012 |
| Fred Wilson: Objects And Installations, 1979-2000
Issues in Cultural Theory, No. 4
Edited by John Alan Farmer and Antonia Gardner. Essays by Maurice Berger, Jennifer Gonzalez. If social justice is Fred Wilson's subject, the museum is his medium. By placing meticulously rendered objects in environments that carefully recreate the details of a museum setting, down to their wall colors, lighting, display cases and wall labels, Wilson incisively explores the question of how the museum consciously and unconsciously perpetuates racist beliefs and behavior. From Egyptian and classical Greek and Roman sculpture to African-American memorabilia, from the primativist painting of Picasso to the uniforms worn by often black museum guards, Wilson's provocative juxtapositions speak to a complex history of museological omission, manipulation and oversight. This book marks the artist's first mid-career survey. | http://www.artbook.com/1890761044.html |
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