Sean Scully Art Monographs and Museum Exhibition Catalogs

Sean Scully: Eleuthera

Published by Kerber.
Edited by Klaus Albrecht Schröder. Text by Werner Spies, Elisabeth Dutz.

Irish-born, New York–based artist Sean Scully (born 1945) is famed internationally for his luscious abstractions. Scully creates large-format paintings with an intense application of color and rough brushstrokes. Checkered or striped patterns emerge, evoking the aesthetic of geometric minimalism. Sean Scully: Eleuthera reveals a surprising and more private side of the artist's work. The Eleuthera series, from the years 2016–17, consists of 25 large-format oil paintings depicting Oisín, the artist’s seven-year-old son, playing on the beach of Eleuthera, an island in the Bahamas. The emergence of figuration in the artist's work does not, however, exclude the bright abstract bands of color he is known for: instead, Scully's colors warp to compose the figure of his son, as well as the landscape around him.

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Kerber

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Clth, 11 x 9.5 in. / 168 pgs / illustrated throughout.

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Pub Date 8/20/2019
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Sean Scully: Sculpture

Published by Hatje Cantz.
Text by Clare Lilley, Peter Murray, Kirsten Claudia Voigt, Jon Wood.

The abstract paintings of the acclaimed New York–based painter, sculptor, writer and poet Sean Scully (born 1945) are world-famous, but until now, relatively little attention has been paid to his sculptures. For these, Scully layers elements made of steel, stone, bronze and painted aluminum on top of each other, creating horizontal structures that expand upward, yet are also linked to the stripes in his paintings.

These works are possessed of a compelling simplicity, recalling children’s blocks stacked up in solid or precarious-seeming assemblies. In Scully’s hands, these materials develop into a three-dimensional extension of the horizontal stripes of his paintings, extending their allusions to sea, land and sky into a multiplicity of tactile assocations.

This monograph is the first to compile Scully’s sculptures in one volume. Besides numerous plates, it includes several essays about these important works.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Clth, 9.75 x 12.75 in. / 388 pgs / 120 color.

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Pub Date 7/23/2019
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Sean Scully: Catalogue Raisonné Volume II

1980–1989

Published by Hatje Cantz.
By Marla Price.

This catalog, the second volume in a proposed series of five, chronicles Sean Scully’s (born 1945) paintings of the 1980s. Beginning with major breakthrough works early in the decade, it profiles the development of Scully’s mature style as well as his growing success in America and internationally.

Scully, a native of Ireland, was educated in England and moved to the United States in 1975. By the early 1980s, he was established in New York, where he developed a powerful style of richly painted stripes and shapes with a masterly control of color and strongly built canvases. In a period of low regard for abstract painting, Scully reinvigorated the form to include rich evocations of places, literature and emotion.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 10.5 x 12 in. / 308 pgs / 320 color.

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Pub Date 12/18/2018
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Sean Scully: Vita Duplex

Published by Hatje Cantz.
Text by Hermann Arnhold, Pia Müller-Tamm, Tanja Pirsig-Marshall, Kirsten Claudia Voigt.

With more than 100 illustrations, Sean Scully: Vita Duplex provides a comprehensive look at the artist’s visual oeuvre, as well as his world of ideas, and defines its place in the history of abstract painting. One of the most important abstract artists of our time, Scully (born 1945) allows conflict to take place in his paintings—conflict between structure and emotion, body and spirit, impulsivity and reflection. The Irish-American painter has been reinterpreting abstract art since the 1960s, not as a purely formal exploration of color, form, planes, structure, body and light, but as a medium whose means of expression is tied to external and internal moods, literary influences and physical experiences. Scully has articulated this attitude in many lectures, interviews and texts, which comprise the starting point for this book.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 9.75 x 13 in. / 208 pgs / 120 color.

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Pub Date 6/19/2018
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Inner: The Collected Writings and Selected Interviews of Sean Scully

Published by Hatje Cantz.
Edited by Kelly Grovier.

Sean Scully (born 1945) is among the greatest abstract painters of our age. He is also one of the most outspoken. Since the late 1960s, Scully’s visual expressiveness has been matched by a verbal dynamism that is no less arresting than his art. Varying widely in form from brief reflections to essay-length meditations on artists such as Van Gogh, Morandi and Rothko, Scully’s writings are distinguished by a brutal lyricism and an effortlessly aphoristic turn of phrase. The nearly 200 texts that comprise this collection provide a unique perspective on one of the most engaging artistic imaginations of the past half-century. Here, readers will discover the effusions of a mind tirelessly wrestling with the profoundest issues of art, cultural history and what it means to be a creator in the contemporary world. The texts are illustrated by images including facsimile reproductions of handwritten pages which also feature drawings.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 7.5 x 10.25 in. / 336 pgs / 122 color.

PUBLISHING STATUS
Pub Date 10/25/2016
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Catalog: FALL 2016 p. 115

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Sean Scully: Figure Abstract

Published by Hatje Cantz.
Text by Marc O'Sullivan, Beate Reifenscheid.

Sean Scully (born 1945) is one of the most significant abstract painters of our time. He has produced a wealth of variations on his core theme of lines and stripes during his decades-long career, creating works with a fascinating range of tone and expression, from the romantic to the melancholic. Early in his career Scully made figurative work to which he still feels indebted: "To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world." He considers German Expressionism an important source of inspiration and cites the influence of such artists as André Derain, Henri Matisse, Karl Schmidt-Rottluff and Ernst Ludwig Kirchner. Presenting surprising new perspectives on the artist's work, this publication is the first to study the interplay between figuration and abstraction in Scully's oeuvre.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 9.5 x 11.75 in. / 200 pgs / 200 color.

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Pub Date 1/27/2015
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Catalog: SPRING 2015 p. 137

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Sean Scully: Bricklayer of the Soul

Reflections in Celebration

Published by Hatje Cantz.
Edited by Kelly Grovier. Text by Bono, Reinhard Spieler, et al.

Sean Scully has been described by Arthur Danto as "belong[ing] on the shortest of short lists of the major painters of our time." This book features insights on Scully's art from his friend Bono to his former student Ai Weiwei and novelist Colm Tóibín. This volume is conceived for the artist's 70th birthday.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 8.75 x 10.75 in. / 208 pgs / 135 color.

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Pub Date 10/27/2015
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Catalog: FALL 2015 p. 176

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ISBN 9783775740043 FLAT40
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Sean Scully: Land Sea

Land Sea

Published by Skira.
By Danilo Eccher.

Published for the 56th Venice Biennale, a complete monograph devoted to the Irish-born American-based painter and printmaker who has twice been named a Turner Prize nominee. ?Born in Dublin, Ireland, in 1945, Sean Scully has gained international prominence as one of the most admired contemporary abstract painters today. Fusing the traditions of European painting with the distinct character of American abstraction, Scully’s great achievement is the reinvigoration of abstract painting with the metaphorical, the philosophical, and the sublime combined with the earthy tangibility of paint.

From his precisely gridded works of the 1970s to the three-dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

Elected a Royal Academician in 2013, Sean Scully has been shortlisted for the Turner Prize twice, in 1989 and in 1993. He lives and works in New York, Barcelona, and Munich. Danilo Eccher has been Director of GAM Galleria civica d’arte moderna e contemporanea of Turin since 2009.

PUBLISHER
Skira

BOOK FORMAT
Hardcover, 10 x 11.5 in. / 168 pgs / 200 color.

PUBLISHING STATUS
Pub Date 10/6/2015
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Sean Scully: Night and Day

Published by Cheim & Read.
Text by John Yau.

Sean Scully (born 1945) is known for rich, painterly abstractions in which stripes or blocks of layered color are a prevailing motif. The delineated geometry of his work provides structure for an expressive, physical rendering of color, light, and texture. Scully's simplification of his compositions and use of repetitive forms--squares, rectangles, bands--echoes architectural motifs (doors, windows, walls) and in this way appeals to a universal understanding and temporal navigation of the picture plane. However, the intimacy of Scully's process, in which he layers and manipulates paint with varying brushstrokes and sensibilities, results in a highly sensual and tactile materiality. His colors and their interactions, often subtly harmonized, elicit profound emotional associations. Scully does not shy away from Romantic ideals and the potential for personal revelation. He strives to combine, as he has said, "intimacy with monumentality." This volume surveys works of the past three years.

PUBLISHER
Cheim & Read

BOOK FORMAT
Clth, 11.75 x 13 in. / 64 pgs / 13 color.

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Pub Date 9/30/2014
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Catalog: FALL 2014 p. 140

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Sean Scully: Change and Horizontals

Published by The Drawing Center.
Text by Joanna Kleinberg, Brett Littman, Colm Tóibín.

Sean Scully’s move from London to New York City in 1975 marked a stylistic breakthrough to a period in which he became more engaged with the textures of the metropolis that surrounded him. Culled from two distinct series, the Change and Horizontals drawings--executed in London and New York respectively--highlight the primacy of color and form in Scully’s abstractions. Impressions of each city are fundamental to these drawings, as location plays a key role in the artist’s oeuvre; as the artist stated in 2006, “People tend to think of abstraction as abstract. But nothing is abstract: it’s a self-portrait. A portrait of one’s condition.” This publication accompanies an exhibition organized by The Drawing Center. The works, reproduced as full-color plates, are comprised of acrylic, ink, graphite and masking-tape drawings from 1974–75, as well as two large-scale paintings from the same period and the artist’s notebooks.

PUBLISHER
The Drawing Center

BOOK FORMAT
Paperback, 6 x 9 in. / 92 pgs / 34 color.

PUBLISHING STATUS
Pub Date 9/30/2013
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Catalog: FALL 2013 p. 123

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Sean Scully

Artist's Sketchbook

Published by La Fábrica.

At once a day book and an artist’s book, this volume compiles black-and-white pencil and India ink drawings made by Sean Scully (born 1945) in Barcelona and New York between August 24 and October 10, 2010. Bound in handsome pale gray linen cloth, it also contains handwritten observations by the artist.

PUBLISHER
La Fábrica

BOOK FORMAT
Clth, 8 x 8.5 in. / 76 pgs / illustrated throughout.

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Pub Date 3/31/2012
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Catalog: SPRING 2012 p. 148

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Sean Scully: Light of the South

Published by TF Editores/D.A.P..

The painting of Sean Scully (born 1945) has a fascinating relationship to place. Born in Dublin, Scully began his career as a figurative painter in London, in the years when Freud and Bacon still dominated Britain’s art climate. A trip to Morocco converted Scully to abstraction: “It was the endless potential in the rhythm and structures of the visual world there that moved me,” he says, of its Arabic visual character. As his painting slowly gravitated towards abstraction, Scully realized that New York was the city in which he would most fruitfully develop, and moved there in 1975. He attributes his first New York series, Horizontals, to his apartment’s view of the city and the Hudson river. In spring 2012, Scully’s art is reunited with the Arabic culture that first inspired his embrace of abstraction, at the stupendous Moorish fort-palace in Granada, the Alhambra. The exhibition and this accompanying catalogue are divided into three parts: seven large paintings from the Wall of Light series; a set of 40 watercolors; and three photographic series, which intriguingly illuminate Scully’s image-making process--Aran, Santo Domingo for Nene and Alhambra, the latter of which is published here for the first time.

PUBLISHER
TF Editores/D.A.P.

BOOK FORMAT
Hardcover, 9.5 x 11.75 in. / 174 pgs / illustrated throughout.

PUBLISHING STATUS
Pub Date 7/31/2012
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Catalog: FALL 2012 p. 102

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Sean Scully

Published by Jovis.
Text by Matthias Frehner, Stella Roig, Annick Haldemann, Brigitte Reutner.

The painting of Sean Scully (born 1945) is unmistakable in its simplicity, and yet generative of endless variation and richness. His chunky, heavily worked, vertical bands of color abutting horizontal bands of color, which may be applied to canvas or to metal plates, seem to explore and express everything that can be said with color, from steely sobriety to pulsating warmth. In this way, Scully continually develops the discoveries of predecessors such as Albers and Rothko. This book focuses on his most recent output, which the artist himself sums up thus: “All my life, I have been driven by some guilt or other. It is only in the past few years that this has ended ... and I increasingly like myself better for it. I only do things that I really want to do. This has caused me to attempt big things.”

PUBLISHER
Jovis

BOOK FORMAT
Paperback, 9.5 x 9.5 in. / 208 pgs / 100 color.

PUBLISHING STATUS
Pub Date 12/31/2012
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Catalog: FALL 2012 p. 102

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Sean Scully

Published by Charta/Galerie Lelong, New York.
Text by Tiffany Bell.

Throughout his 30-year career, the renowned Dublin-born artist Sean Scully has continually sought to reinvigorate abstract painting, and has succeeded in this attempt by finding ways through (rather than around) postwar American abstraction. Scully employs a reductive vocabulary of thick horizontal and vertical bands of color, which perform an interplay of mass, light and shadow, through which he reconciles the ordered character of early European Modernism, with its ideals of harmony and spirituality, and late American Modernism, with its use of less harmonious, expressionistic compositions. Scully has described this tension: "I'm trying to capture something that has a classical stillness and at the same time has enough emotion or dissonance to create an unresolved quality." This volume, published concurrently with an exhibition at New York's Galerie Lelong, features 22 recent paintings, including works from Scully's much-admired Wall of Light and Robe series, plus recent watercolors and drawings.

PUBLISHER
Charta/Galerie Lelong, New York

BOOK FORMAT
Hardcover, 10 x 8.5 in. / 56 pgs / 33 color.

PUBLISHING STATUS
Pub Date 2/28/2010
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Catalog: FALL 2009 p. 98

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ISBN 9788881587414 TRADE
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Sean Scully: Painting, Watercolors, Photographs

Published by Richter Verlag.
Essays by Francisco Jarauta, Bernd Kluser, Maria Muller and Armin Zweite.

PUBLISHER
Richter Verlag

BOOK FORMAT
Hardcover, 11.75 x 9.75 in. / 272 pgs / 254 color / 5 bw.

PUBLISHING STATUS
Pub Date 10/2/2001
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Catalog: FALL 2001

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ISBN 9783933807359 TRADE
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STATUS: Out of print | 4/1/2008

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Sean Scully

Published by Charta.
Photographs by Sean Scully. Edited by Danilo Eccher.

Among the works in this catlogue are Sean Scully's pieces from the early 80s that mark the transition from rigid, Minimalist abstraction to more experimental canvases.

PUBLISHER
Charta

BOOK FORMAT
Paperback, 8.75 X 11 in. / 152 pgs / 60 color / 60 bw

PUBLISHING STATUS
Pub Date 9/2/1996
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Catalog: FALL 1996

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ISBN 9788881580873 TRADE
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Sean Scully

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays

Edited by Klaus Albrecht Schröder. Text by Werner Spies, Elisabeth Dutz.

Text by Clare Lilley, Peter Murray, Kirsten Claudia Voigt, Jon Wood.

By Danilo Eccher.

By Marla Price.

Text by Hermann Arnhold, Pia Müller-Tamm, Tanja Pirsig-Marshall, Kirsten Claudia Voigt.

Edited by Kelly Grovier.

Text by Marc O'Sullivan, Beate Reifenscheid.

Text by John Yau.

Essays by Francisco Jarauta, Bernd Kluser, Maria Muller and Armin Zweite.

Published by Kerber.Edited by Klaus Albrecht Schröder. Text by Werner Spies, Elisabeth Dutz.

PUBLISHER Kerber

Published by Hatje Cantz.Text by Clare Lilley, Peter Murray, Kirsten Claudia Voigt, Jon Wood.

PUBLISHER Hatje Cantz

1980–1989

Published by Hatje Cantz.By Marla Price.

PUBLISHER Hatje Cantz

Published by Hatje Cantz.Text by Hermann Arnhold, Pia Müller-Tamm, Tanja Pirsig-Marshall, Kirsten Claudia Voigt.

PUBLISHER Hatje Cantz

Published by Hatje Cantz.Edited by Kelly Grovier.

PUBLISHER Hatje Cantz

Published by Hatje Cantz.Text by Marc O'Sullivan, Beate Reifenscheid.

PUBLISHER Hatje Cantz

Reflections in Celebration

Published by Hatje Cantz.Edited by Kelly Grovier. Text by Bono, Reinhard Spieler, et al.

PUBLISHER Hatje Cantz

Land Sea

Published by Skira.By Danilo Eccher.

PUBLISHER Skira

Published by Cheim & Read.Text by John Yau.

PUBLISHER Cheim & Read

Published by The Drawing Center.Text by Joanna Kleinberg, Brett Littman, Colm Tóibín.

PUBLISHER The Drawing Center

Artist's Sketchbook

Published by La Fábrica.

PUBLISHER La Fábrica

Published by TF Editores/D.A.P..

PUBLISHER TF Editores/D.A.P.

Published by Jovis.Text by Matthias Frehner, Stella Roig, Annick Haldemann, Brigitte Reutner.

PUBLISHER Jovis

Published by Charta/Galerie Lelong, New York.Text by Tiffany Bell.

PUBLISHER Charta/Galerie Lelong, New York

Published by Richter Verlag.Essays by Francisco Jarauta, Bernd Kluser, Maria Muller and Armin Zweite.

PUBLISHER Richter Verlag

Published by Charta.Photographs by Sean Scully. Edited by Danilo Eccher.

PUBLISHER Charta

the art world's source for books on art & culture

Published by Kerber.
Edited by Klaus Albrecht Schröder. Text by Werner Spies, Elisabeth Dutz.

PUBLISHER
Kerber

Published by Hatje Cantz.
Text by Clare Lilley, Peter Murray, Kirsten Claudia Voigt, Jon Wood.

PUBLISHER
Hatje Cantz

Published by Hatje Cantz.
By Marla Price.

PUBLISHER
Hatje Cantz

Published by Hatje Cantz.
Text by Hermann Arnhold, Pia Müller-Tamm, Tanja Pirsig-Marshall, Kirsten Claudia Voigt.

PUBLISHER
Hatje Cantz

Published by Hatje Cantz.
Edited by Kelly Grovier.

PUBLISHER
Hatje Cantz

Published by Hatje Cantz.
Text by Marc O'Sullivan, Beate Reifenscheid.

PUBLISHER
Hatje Cantz

Published by Hatje Cantz.
Edited by Kelly Grovier. Text by Bono, Reinhard Spieler, et al.

PUBLISHER
Hatje Cantz

Published by Skira.
By Danilo Eccher.

PUBLISHER
Skira

Published by Cheim & Read.
Text by John Yau.

PUBLISHER
Cheim & Read

Published by The Drawing Center.
Text by Joanna Kleinberg, Brett Littman, Colm Tóibín.

PUBLISHER
The Drawing Center

PUBLISHER
La Fábrica

PUBLISHER
TF Editores/D.A.P.

Published by Jovis.
Text by Matthias Frehner, Stella Roig, Annick Haldemann, Brigitte Reutner.

PUBLISHER
Jovis

Published by Charta/Galerie Lelong, New York.
Text by Tiffany Bell.

PUBLISHER
Charta/Galerie Lelong, New York

Published by Richter Verlag.
Essays by Francisco Jarauta, Bernd Kluser, Maria Muller and Armin Zweite.

PUBLISHER
Richter Verlag

Published by Charta.
Photographs by Sean Scully. Edited by Danilo Eccher.

PUBLISHER
Charta