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Cheim & ReadBOOK FORMAT
Clth, 11.75 x 13 in. / 64 pgs / 13 color. PUBLISHING STATUS
Pub Date 9/30/2014
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Catalog: FALL 2014 p. 140 PRODUCT DETAILS
ISBN 9780985141097 FLAT40
List Price: $60.00 CDN $79.00 GBP £53.00 AVAILABILITY
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| | | CHEIM & READSean Scully: Night and DayText by John Yau.
Sean Scully (born 1945) is known for rich, painterly abstractions in which stripes or blocks of layered color are a prevailing motif. The delineated geometry of his work provides structure for an expressive, physical rendering of color, light, and texture. Scully's simplification of his compositions and use of repetitive forms--squares, rectangles, bands--echoes architectural motifs (doors, windows, walls) and in this way appeals to a universal understanding and temporal navigation of the picture plane. However, the intimacy of Scully's process, in which he layers and manipulates paint with varying brushstrokes and sensibilities, results in a highly sensual and tactile materiality. His colors and their interactions, often subtly harmonized, elicit profound emotional associations. Scully does not shy away from Romantic ideals and the potential for personal revelation. He strives to combine, as he has said, "intimacy with monumentality." This volume surveys works of the past three years.
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USD $60.00 | CAN $79 UK £ 53Pub Date: 9/30/2014
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FORMAT: Clth, 11.75 x 13 in. / 64 pgs / 13 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $79
GBP £53.00
ISBN: 9780985141097
PUBLISHER: Cheim & Read
AVAILABLE: 9/30/2014
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Sean Scully: Night and Day Published by Cheim & Read.
Text by John Yau. | Sean Scully (born 1945) is known for rich, painterly abstractions in which stripes or blocks of layered color are a prevailing motif. The delineated geometry of his work provides structure for an expressive, physical rendering of color, light, and texture. Scully's simplification of his compositions and use of repetitive forms--squares, rectangles, bands--echoes architectural motifs (doors, windows, walls) and in this way appeals to a universal understanding and temporal navigation of the picture plane. However, the intimacy of Scully's process, in which he layers and manipulates paint with varying brushstrokes and sensibilities, results in a highly sensual and tactile materiality. His colors and their interactions, often subtly harmonized, elicit profound emotional associations. Scully does not shy away from Romantic ideals and the potential for personal revelation. He strives to combine, as he has said, "intimacy with monumentality." This volume surveys works of the past three years.
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