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| |   |   | Sean Scully: Figure AbstractText by Marc O'Sullivan, Beate Reifenscheid.
Sean Scully (born 1945) is one of the most significant abstract painters of our time. He has produced a wealth of variations on his core theme of lines and stripes during his decades-long career, creating works with a fascinating range of tone and expression, from the romantic to the melancholic. Early in his career Scully made figurative work to which he still feels indebted: "To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world." He considers German Expressionism an important source of inspiration and cites the influence of such artists as André Derain, Henri Matisse, Karl Schmidt-Rottluff and Ernst Ludwig Kirchner. Presenting surprising new perspectives on the artist's work, this publication is the first to study the interplay between figuration and abstraction in Scully's oeuvre.
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FORMAT: Hbk, 9.5 x 11.75 in. / 200 pgs / 200 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $79 ISBN: 9783775739009 PUBLISHER: Hatje Cantz AVAILABLE: 1/27/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2015 Page 137 | PRESS INQUIRIES
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| Sean Scully: Figure Abstract Published by Hatje Cantz. Text by Marc O'Sullivan, Beate Reifenscheid. Sean Scully (born 1945) is one of the most significant abstract painters of our time. He has produced a wealth of variations on his core theme of lines and stripes during his decades-long career, creating works with a fascinating range of tone and expression, from the romantic to the melancholic. Early in his career Scully made figurative work to which he still feels indebted: "To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world." He considers German Expressionism an important source of inspiration and cites the influence of such artists as André Derain, Henri Matisse, Karl Schmidt-Rottluff and Ernst Ludwig Kirchner. Presenting surprising new perspectives on the artist's work, this publication is the first to study the interplay between figuration and abstraction in Scully's oeuvre.
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