ARTBOOK BLOG

RECENT POSTS

DATE 11/1/2024

Celebrate Native American Heritage Month!

DATE 10/26/2024

Join Artbook | D.A.P. at Shoppe Object High Point, 2024

DATE 10/20/2024

'Mickalene Thomas: All About Love' opens at Philadelphia Museum of Art

DATE 10/17/2024

‘Indigenous Histories’ is Back in Stock!

DATE 10/16/2024

192 Books presents Glenn Ligon and James Hoff on 'Distinguishing Piss from Rain'

DATE 10/15/2024

‘Cyberpunk’ opens at the Academy Museum of Motion Pictures

DATE 10/14/2024

Celebrate Indigenous artists across the spectrum

DATE 10/10/2024

Textile as language in 'Sheila Hicks: Radical Vertical Inquiries'

DATE 10/8/2024

Queer history, science-fiction and the occult in visionary, pulp-age Los Angeles

DATE 10/6/2024

The Academy Museum comes on strong with 'Color in Motion: Chromatic Explorations of Cinema'

DATE 10/1/2024

Cooper Union presents Glenn Ligon launching 'Distinguishing Piss from Rain' in conversation with Dr. Kellie Jones & Julie Mehretu with readings by Helga Davis

DATE 10/1/2024

Chicago's Athenaeum Center presents Roger and James Deakins

DATE 10/1/2024

A poetic manifesto on labor inequity from George Saunders and Joshua Lutz


BOOKS IN THE MEDIA

CORY REYNOLDS | DATE 5/31/2013

The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi

Kimberly Chou writes, "In the mid-1970s, Tom Bianchi, a young lawyer living in Manhattan, started bringing a new toy out to Fire Island: a SX-70 Polaroid camera. After shaking his initial shyness about taking pictures of his friends, Mr. Bianchi began documenting all aspects of life in the gay Pines enclave where he spent his summers — the love, the partying, and the natural splendor of the barrier island 60 miles east of the city, where a deep sense of community was available to many who felt closeted or stifled in their everyday lives."

The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi

After hatching the idea for a book of photographs, Mr. Bianchi joined a Polaroid program whereby one could return unwanted photos for free film. At one point during his project, which stretched into the 1980s, he was contacted by a Polaroid agent who wanted to know who he was—as it turned out, he was the second-largest buyer of Polaroid film. (Only IBM bought more, he said.)
Mr. Bianchi arranged meetings with publishers and art figures—including Sam Wagstaff, the legendary collector and benefactor of Robert Mapplethorpe—but couldn't get the project off the ground.
"The marketing departments at the big publishing houses didn't think it was commercially viable," he said.
As the book idled for three decades, Mr. Bianchi, now 67, nevertheless established himself as a visual artist and photographer, releasing more than a dozen books. Today, the Pines remains a haven for gay men (although, as Mr. Bianchi noted, the $1,500 that used to buy a summer share might now cover a weekend) and Fire Island Pines: Polaroids 1975-1983 is finally being released. In his introduction, Mr. Bianchi writes that the photos now double as a chronicle of the era before AIDS ravaged the community. "I could not have imagined then that my Polaroids would so suddenly become a record of a lost world—my box of pictures a mausoleum, too painful to visit."
To read Bianchi's interview with Kimberly Chou, visit The Wall Street Journal.

For more Polaroids, see the Fire Island Pines book page.
The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi
The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi
The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi
The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi
The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi
The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi
The Wall Street Journal Interviews 'Fire Island Pines' Photographer, Tom Bianchi

Tom Bianchi: Fire Island Pines

Tom Bianchi: Fire Island Pines

Damiani
Hbk, 8.5 x 10 in. / 212 pgs / illustrated throughout.