ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2023 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 8/20/2024 Heads up on 4/20!DATE 4/30/2024 Danny Lyon at Photobook AustinDATE 4/30/2024 Rizzoli Bookstore presents Roger A. Deakins with James Ellis Deakins and Matthew Heineman on 'Byways'DATE 4/25/2024 Join us at Printed Matter's NYABF 2024!DATE 4/25/2024 The Strand presents Joshua Charow in conversation with Wendy Goodman for the launch of 'Loft Law'DATE 4/24/2024 Bungee Space presents Set Margins’ 6-Book Launch and Get TogetherDATE 4/21/2024 Time & Space Limited presents "Memory as Various: Bernadette Mayer's 'Memory'"DATE 4/18/2024 Howl! Arts/Howl! Archive presents Pyramid Pioneers with 'We Started a Nightclub' signingDATE 4/18/2024 A birthright and a legacy in Ivan McClellan's 'Eight Seconds: Black Rodeo Culture'DATE 4/14/2024 Vintage 'Audio Erotica' from Jonny TrunkDATE 4/13/2024 Unnameable Books presents "Reading from Bernadette Mayer's 'Memory'"DATE 4/13/2024 Artbook at Hauser & Wirth presents Heather McCalden and Cyrus Dunham launching 'The Observable Universe: An Investigation'DATE 4/12/2024 Join Artbook | D.A.P. at Shoppe Object at High Point | EVENTSJAMES LUCAS | DATE 12/14/2010James Hamilton and Peter Schjeldahl in Conversation at The NYPL, December 14, 2010Photographer James Hamilton and art critic Peter Schjeldahl appeared at The New York Public Library on the evening of December 14 to discuss Hamilton's new book, You Should Have Heard Just What I Seen, published by Thurston Moore and Eva Prinz's Ecstatic Peace Library. Topics ranged from bad behavior at the Chelsea Hotel to the importance of working in the darkroom. Schjeldahl also recalled Hamilton's unique ability to capture the photographic imagery of his own words when they worked on assignment together at the Village Voice. Well before the era of the digital camera, Hamilton spent his evenings trolling the night clubs, parties and late-night hangouts of New York's demimonde only to rush home to his apartment/darkroom studio in the wee hours, so that he could develop his footage for the next day's paper. |