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DECORATIVE ARTS, JEWELRY, CERAMICS, GLASS, TEXTILES

PUBLISHER
Skira

BOOK FORMAT
Hardcover, 9.25 x 12 in. / 240 pgs / 200 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2019 p. 42   

PRODUCT DETAILS
ISBN 9788857240473 TRADE
List Price: $50.00 CDN $69.95

AVAILABILITY
In stock

TERRITORY
NA LA

EXHIBITION SCHEDULE

Venice
Isola di San Giorgio Maggiore, 03/24/19–07/28/19

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SKIRA

Maurice Marinot: The Glass 1911–1934

Edited by Jean-Luc Olivié, Cristina Beltrami.

Maurice Marinot: The Glass 1911–1934

The first English-language volume on a pioneering figure in the development of glass as a studio art form

This is the first English-language volume on Maurice Marinot (1882–1960), a pioneer in the development of glass as a studio art form.

Initially a member of the fauves, in 1911 Marinot visited the glassworks of the Viard brothers at Bar-sur-Seine, a catalytic moment that led to an all-encompassing passion for glass. Marinot quickly began designing bowls, vases and bottles, which his friends would produce for him to paint, using enamels.

By 1913 critics were praising his work: “It has been a long time since an innovation of such great importance has come to enrich the art of glass,” wrote Leon Rosenthal. From that year Marinot ceased exhibiting his paintings and learned quickly how to blow glass. In 1923 he stopped using enamels, and explored the use of bubbles, metal leaf and colored glass. This book reveals his accomplishment for a wider audience.


Featured image is reproduced from 'Maurice Marinot: The Glass 1911–1934.'

Maurice Marinot: The Glass 1911–1934

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