FORMAT: Pbk, 5.5 x 8.25 in. / 196 pgs / 25 b&w.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $47.5
ISBN: 9783865606334
PUBLISHER: Walther König, Köln
AVAILABLE: 3/31/2011
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA AU/NZ AFR

D.A.P. CATALOG: FALL 2010 Page 142

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Hans Ulrich Obrist & Cerith Wyn Evans: The Conversation Series
Volume 24

Published by Walther König, Köln.
Edited by Hans Ulrich Obrist.

Cerith Wyn Evans’ gloriously uncategorizable oeuvre has spanned installation works, sculptures, photography, film, text and a recent collaboration with industrial-music pioneers Throbbing Gristle. Preoccupations with language and perception generally lead the works, from an exhibition at Tate Britain in which a computer randomly selected lines from William Blake’s poetry to be reflected off a disco ball in Morse code format to “Inverse, Perverse, Reverse,” a large circular mirror that showed viewers’ reflections upside down, referencing Lacan’s mirror-stage theory of identity while throwing a wrench into the expected experience of representation. Evans has said he wants his work to function as a “catalyst or reservoir of possible meanings that, for the viewer, could unravel many discursive journeys.” In this series of conversations, Hans Ulrich Obrist draws Evans on these and other themes.

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