Hans Ulrich Obrist & Marina Abramovic: The Conversation Series
Volume 23
Edited by Hans Ulrich Obrist.
Over the past three and a half decades, Marina Abramovic’s astonishing oeuvre, with pieces in which she performs feats of extreme endurance or mortification of the flesh, has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such agonizing conditions: who, in short, is Marina Abramovic? In this revealing set of conversations--conducted in train stations, hotels, galleries and her own private studio--between Abramovic and curator Hans Ulrich Obrist, with the occasional addition of other interlocutors including Gustav Metzger (the “Old Master of action art”), the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New York.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Pbk, 5.5 x 8.5 in. / 192 pgs / 25 b&w. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $47.5 ISBN: 9783865604750 PUBLISHER: Walther König, Köln AVAILABLE: 8/30/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ASIA AFR
Hans Ulrich Obrist & Marina Abramovic: The Conversation Series Volume 23
Published by Walther König, Köln. Edited by Hans Ulrich Obrist.
Over the past three and a half decades, Marina Abramovic’s astonishing oeuvre, with pieces in which she performs feats of extreme endurance or mortification of the flesh, has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such agonizing conditions: who, in short, is Marina Abramovic? In this revealing set of conversations--conducted in train stations, hotels, galleries and her own private studio--between Abramovic and curator Hans Ulrich Obrist, with the occasional addition of other interlocutors including Gustav Metzger (the “Old Master of action art”), the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New York.
