Edited by Mette Marie Kallehauge, Lærke Rydal Jørgensen. Text by Nicolai Ouroussoff, Ruben Gallo, Hilary Sample, Tatiana Bilbao, Jacques Herzog.
On Mexican architect Tatiana Bilbao’s genius for merging spacious brutalist modernism with nature
Already known as one of Mexico’s greatest architects, Tatiana Bilbao (born 1972) has created some of the country’s most striking buildings. Her first project was a collaboration with artist Gabriel Orozco on his beach house near Puerto Escondido, and she quickly developed a collaborative approach, working with artists such as Ai Weiwei on projects in China and Spain, or with the Culiacán Botanical Garden (designed by engineer and gardener Carlos Murillo) to install art works and service buildings. Bilbao’s buildings always take social conditions into account, as demonstrated in projects such as her design for a pilgrimage route.
Featuring these projects and more, this overview provides insights into the Mexican cultural, artistic and building traditions that Bilbao incorporates into her projects. The volume addresses the question of the use of collage in architecture and embeds Bilbao’s work in a contemporary as well as a historical context.
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FORMAT: Hbk, 9.5 x 11.75 in. / 240 pgs / 200 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $69.95 ISBN: 9783037786178 PUBLISHER: Lars Müller Publishers/Louisiana Museum of Modern Art AVAILABLE: 1/21/2020 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
On Mexican architect Tatiana Bilbao’s genius for merging spacious brutalist modernism with nature
Published by Lars Müller Publishers/Louisiana Museum of Modern Art. Edited by Mette Marie Kallehauge, Lærke Rydal Jørgensen. Text by Nicolai Ouroussoff, Ruben Gallo, Hilary Sample, Tatiana Bilbao, Jacques Herzog.
Already known as one of Mexico’s greatest architects, Tatiana Bilbao (born 1972) has created some of the country’s most striking buildings. Her first project was a collaboration with artist Gabriel Orozco on his beach house near Puerto Escondido, and she quickly developed a collaborative approach, working with artists such as Ai Weiwei on projects in China and Spain, or with the Culiacán Botanical Garden (designed by engineer and gardener Carlos Murillo) to install art works and service buildings. Bilbao’s buildings always take social conditions into account, as demonstrated in projects such as her design for a pilgrimage route.
Featuring these projects and more, this overview provides insights into the Mexican cultural, artistic and building traditions that Bilbao incorporates into her projects. The volume addresses the question of the use of collage in architecture and embeds Bilbao’s work in a contemporary as well as a historical context.
