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| | PUBLISHER Le Dictateur PressBOOK FORMAT Boxed, pbk, 11.5 x 16 in. / 72 pgs / illustrated throughout. PUBLISHING STATUS Pub Date 5/31/2012 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2012 p. 94 PRODUCT DETAILS ISBN 9782840665175 TRADE List Price: $75.00 CDN $90.00 AVAILABILITY Not available | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | LE DICTATEUR PRESSMaurizio Has Left the BuildingRetrospective of Maurizio Cattelan's Last Exhibition at the Guggenheim Museum New YorkEdited by Pierpaolo Ferrari, Sebastiano Mastroeni. Drawings by Matteo Nuti. Text by Caroline Corbetta.
Hailed simultaneously as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan (born 1960) has created some of the most unforgettable images in recent contemporary art. Upon the occasion of his 2011 Guggenheim retrospective, All, Cattelan astonished the art world by announcing his retirement from art, declaring that he would instead focus on the production of his magazine Toilet Paper. For the exhibition, Cattelan hung his entire oeuvre--128 works--from the middle of the Guggenheim’s rotunda, in a sensational gesture of both witty irreverence and summary completion. Maurizio Has Left the Building is the artist’s documentation of this landmark exhibition. Created by Italian photographer Pierpaolo Ferrari, the publication is composed of several unbound signatures of installation photographs, with drawings by Matteo Nuti, text by Caroline Corbetta, under the art direction of Sebastiano Mastroeni. This oversize volume conveys the multidimensionality of Cattelan’s last installation.
Featured image is reproduced from Maurizio Has Left the Building. |
| | | | |  | By Nancy Spector.GUGGENHEIM MUSEUM PUBLICATIONSISBN: 9780892075317 USD $50.00 | CAN $67.5 UK £ 40Pub Date: 9/27/2016 Active | In stock
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|  | DAMIANIISBN: 9788862084451 USD $150.00 | CAN $200Pub Date: 2/23/2016 Active | In stock
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|  | DAMIANIISBN: 9788862084277 USD $65.00 | CAN $87Pub Date: 10/27/2015 Active | In stock
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|  | TRIPLE CANDIEISBN: 9789609931441 USD $24.00 | CAN $33Pub Date: 2/28/2013 Active | In stock
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|  | By Nancy Spector.GUGGENHEIM MUSEUMISBN: USD $0.00 | CAN $Pub Date: 02/15/2012 Active | In stock
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|  | Edited by Cecilia Alemani, Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick.DESTE FOUNDATION FOR CONTEMPORARY ARTISBN: 9781935202318 USD $30.00 | CAN $40Pub Date: 1/31/2011 Active | In stock
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FORMAT: Boxed, pbk, 11.5 x 16 in. / 72 pgs / illustrated throughout. LIST PRICE: U.S. $75.00 LIST PRICE: CANADA $90 ISBN: 9782840665175 PUBLISHER: Le Dictateur Press AVAILABLE: 5/31/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: *not available | D.A.P. CATALOG: FALL 2012 Page 94 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Maurizio Has Left the Building Retrospective of Maurizio Cattelan's Last Exhibition at the Guggenheim Museum New York Published by Le Dictateur Press. Edited by Pierpaolo Ferrari, Sebastiano Mastroeni. Drawings by Matteo Nuti. Text by Caroline Corbetta. | Hailed simultaneously as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan (born 1960) has created some of the most unforgettable images in recent contemporary art. Upon the occasion of his 2011 Guggenheim retrospective, All, Cattelan astonished the art world by announcing his retirement from art, declaring that he would instead focus on the production of his magazine Toilet Paper. For the exhibition, Cattelan hung his entire oeuvre--128 works--from the middle of the Guggenheim’s rotunda, in a sensational gesture of both witty irreverence and summary completion. Maurizio Has Left the Building is the artist’s documentation of this landmark exhibition. Created by Italian photographer Pierpaolo Ferrari, the publication is composed of several unbound signatures of installation photographs, with drawings by Matteo Nuti, text by Caroline Corbetta, under the art direction of Sebastiano Mastroeni. This oversize volume conveys the multidimensionality of Cattelan’s last installation.
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