In the summer of 2009, Triple Candie presented Maurizio Cattelan Is Dead: Life & Work, 1960–2009, the first retrospective of the Italian artist’s work. A year later, the exhibition was installed at Deste in Athens. The wall texts were based on information gleaned by Triple Candie during their research and included intentionally re-reported errors from the original sources, uncorrected. By presenting that which becomes lost in the disconnect between artist and admirer, curator and critic, through the process of retelling and circulating information, the exhibitions, in Harlem and Athens--and now the book--ask the public to examine how one’s own perceptions are influenced by the mediums through which we view artwork. Edited and published by Triple Candie, the book intends, as the exhibitions did, to question narrative reliability. At the time of both shows and the publication of the book, the artist was still very much alive.
in stock $24.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
 
Distributed by D.A.P.
FORMAT: Pbk, 6.25 x 8 in. / 144 pgs / 100 color. LIST PRICE: U.S. $24.00 LIST PRICE: CANADA $33 ISBN: 9789609931441 PUBLISHER: Triple Candie AVAILABLE: 2/28/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Maurizio Cattelan Is Dead Life and Work, 1960-2009
Published by Triple Candie.
In the summer of 2009, Triple Candie presented Maurizio Cattelan Is Dead: Life & Work, 1960–2009, the first retrospective of the Italian artist’s work. A year later, the exhibition was installed at Deste in Athens. The wall texts were based on information gleaned by Triple Candie during their research and included intentionally re-reported errors from the original sources, uncorrected. By presenting that which becomes lost in the disconnect between artist and admirer, curator and critic, through the process of retelling and circulating information, the exhibitions, in Harlem and Athens--and now the book--ask the public to examine how one’s own perceptions are influenced by the mediums through which we view artwork. Edited and published by Triple Candie, the book intends, as the exhibitions did, to question narrative reliability. At the time of both shows and the publication of the book, the artist was still very much alive.