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ARTIST MONOGRAPHS

PUBLISHER
Kasmin Gallery

BOOK FORMAT
Clth, 9 x 11 in. / 84 pgs / 31 color / 1 bw.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2022 p. 110   

PRODUCT DETAILS
ISBN 9781947232983 TRADE
List Price: $45.00 CDN $63.00 GBP £37.00

AVAILABILITY
In stock

DOWNLOAD THE SPRING 2023 CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our Spring 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

KASMIN GALLERY

Dorothea Tanning: Doesn’t the Paint Say It All?

Foreword by Pamela S. Johnson. Text by Victoria Carruthers, Mary Ann Caws, Kate Conley.

A concise introduction to the later work of the self-taught American Surrealist artist and author

American Surrealist artist Dorothea Tanning (1910–2012) worked across painting, sculpture, printmaking, installation and writing over the course of seven decades, producing one of the 20th century’s most enigmatic oeuvres. Tanning’s work conjures dreamlike worlds that straddle the hazy border between figuration and abstraction, pioneering a unique prismatic formal language that resonates keenly today.
This fully illustrated catalog highlights Tanning’s works created between the 1950s and ’90s, a particularly fruitful period in the artist’s career, and traces her stylistic arc through over 20 significant paintings drawn from interrelated phases of the artist’s practice. Scholars Mary Ann Caws, Victoria Carruthers and Kate Conley contribute essays to the volume; additionally, it reproduces Tanning’s 1986 essay “To Paint,” a poetic and impassioned manifesto on painting and Surrealism. The catalog takes its title from the last line of this text.


PRAISE AND REVIEWS

Hyperallergic

Tim Keane

As Tanning took up midcentury painterly abstraction, key philosophical themes from her earlier phantasmal narrative paintings undergo transformations and reiterations.

Hyperallergic

Albert Mobilio

In this almost minute-by-minute account of picture making...Tanning dramatizes aesthetic choices as well as the sheer physicality of her process.

Dorothea Tanning: Doesn’t the Paint Say It All?

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