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| | | | Dorothea Tanning: Doesn’t the Paint Say It All?Foreword by Pamela S. Johnson. Text by Victoria Carruthers, Mary Ann Caws, Kate Conley.
A concise introduction to the later work of the self-taught American Surrealist artist and authorAmerican Surrealist artist Dorothea Tanning (1910–2012) worked across painting, sculpture, printmaking, installation and writing over the course of seven decades, producing one of the 20th century’s most enigmatic oeuvres. Tanning’s work conjures dreamlike worlds that straddle the hazy border between figuration and abstraction, pioneering a unique prismatic formal language that resonates keenly today.
This fully illustrated catalog highlights Tanning’s works created between the 1950s and ’90s, a particularly fruitful period in the artist’s career, and traces her stylistic arc through over 20 significant paintings drawn from interrelated phases of the artist’s practice. Scholars Mary Ann Caws, Victoria Carruthers and Kate Conley contribute essays to the volume; additionally, it reproduces Tanning’s 1986 essay “To Paint,” a poetic and impassioned manifesto on painting and Surrealism. The catalog takes its title from the last line of this text.
PRAISE AND REVIEWSHyperallergic Tim Keane As Tanning took up midcentury painterly abstraction, key philosophical themes from her earlier phantasmal narrative paintings undergo transformations and reiterations. Hyperallergic Albert Mobilio In this almost minute-by-minute account of picture making...Tanning dramatizes aesthetic choices as well as the sheer physicality of her process. |
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FORMAT: Clth, 9 x 11 in. / 84 pgs / 31 color / 1 b&w.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $63
GBP £37.00
ISBN: 9781947232983
PUBLISHER: Kasmin Gallery
AVAILABLE: 11/1/2022
DISTRIBUTION: D.A.P.
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PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Dorothea Tanning: Doesn’t the Paint Say It All? Published by Kasmin Gallery.
Foreword by Pamela S. Johnson. Text by Victoria Carruthers, Mary Ann Caws, Kate Conley. A concise introduction to the later work of the self-taught American Surrealist artist and author American Surrealist artist Dorothea Tanning (1910–2012) worked across painting, sculpture, printmaking, installation and writing over the course of seven decades, producing one of the 20th century’s most enigmatic oeuvres. Tanning’s work conjures dreamlike worlds that straddle the hazy border between figuration and abstraction, pioneering a unique prismatic formal language that resonates keenly today.
This fully illustrated catalog highlights Tanning’s works created between the 1950s and ’90s, a particularly fruitful period in the artist’s career, and traces her stylistic arc through over 20 significant paintings drawn from interrelated phases of the artist’s practice. Scholars Mary Ann Caws, Victoria Carruthers and Kate Conley contribute essays to the volume; additionally, it reproduces Tanning’s 1986 essay “To Paint,” a poetic and impassioned manifesto on painting and Surrealism. The catalog takes its title from the last line of this text.
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