| | PUBLISHER
Fraenkel GalleryBOOK FORMAT
Clth, 10 x 12 in. / 120 pgs / 50 color. PUBLISHING STATUS
Pub Date 3/31/2013
Out of stock indefinitely DISTRIBUTION
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Catalog: SPRING 2013 p. 66 PRODUCT DETAILS
ISBN 9781881337331 TRADE
List Price: $55.00 CDN $72.50 GBP £50.00 AVAILABILITY
Not available | EXHIBITION SCHEDULESan Francisco, CA
Fraenkel Gallery 01/13-03/13 | | BROWSE THE 2021 FALL CATALOG  | Preview our FALL 2021 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | FRAENKEL GALLERYThe UnphotographableEdited and with text by Jeffrey Fraenkel.
 Since the invention of photography almost 175 years ago, the medium has proven itself understandably adept at capturing what is there to be photographed: the solid, the concrete, that which can be seen. Another tradition exists, however; a parallel tradition in which photographers and artists have attempted to depict via photographic means that which is not so easily photographed: dreams, ghosts, god, thought, time. The Unphotographable explores this parallel tradition, and is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by “Angel Light,” one of the Angels series of dramatic, life-sized photograms he created in 1973–75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
Featured image, Man Ray's "Primacy of Matter over Thought" (1929), is reproduced from The Unphotographable. |
|  | STATUS: Out of stock indefinitely. | |
| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 4/26/2013 Join us through Sunday at the inaugural Paris Photo Los Angeles. On view at Paramount Pictures Studios in Hollywood, Paris Photo draws collectors and exhibitors from around the world. Housed inside the Café storefront on Paramount's New York City backlot, our booth (C4) features hundreds of titles from the world's top photobook publishers—including Hatje Cantz, MoMA, Radius Books, Daylight, Editions Xavier Barral, RM, The Iceplant, Damiani, Yale University Press, Twin Palms, Morel, Patrick Frey, Nazraeli Press and Fraenkel Gallery, publisher of The Unphotographable, from which "Mental Picture #97" (2001), by Wolfgang Tillmans, is reproduced. Our booth features a large selection of limited editions, rare, signed, and out-of-print titles, and we are hosting book signings daily. For a complete list of signings, please see the ARTBOOK + Paris Photo page on our site. continue to blog | FORTHCOMING AND NEW: PHOTOGRAPHY |  | SKIRAISBN: 9788857232508
USD $35.00 | CAN $45Pub Date: 2/21/2017
Active | In stock
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|  | SKIRAISBN: 9788857215990
USD $80.00 | CAN $100Pub Date: 10/2/2012
Active | In stock
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|  | SKIRAISBN: 9788857204420
USD $60.00 | CAN $78Pub Date: 10/5/2010
Active | In stock
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|  | SKIRAISBN: 9788857200675
USD $50.00 | CAN $65Pub Date: 9/15/2009
Active | In stock
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|  | SKIRAISBN: 9788857228242
USD $60.00 | CAN $78Pub Date: 3/29/2016
Active | In stock
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|  | SKIRAISBN: 9788857229881
USD $45.00 | CAN $57.5Pub Date: 3/29/2016
Active | In stock
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|  | SKIRAISBN: 9788857212494
USD $55.00 | CAN $70Pub Date: 9/25/2012
Active | In stock
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|  | LARS MüLLER PUBLISHERSISBN: 9783037783443
USD $65.00 | CAN $87Pub Date: 8/15/2013
Active | In stock
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|  | LARS MüLLER PUBLISHERSISBN: 9783037782743
USD $120.00 | CAN $160Pub Date: 12/5/2011
Active | Out of stock
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|  | LARS MüLLER PUBLISHERSISBN: 9783037782750
USD $65.00 | CAN $87Pub Date: 2/27/2014
Active | In stock
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|  | LARS MüLLER PUBLISHERSISBN: 9783037781463
USD $54.90 | CAN $72.5Pub Date: 9/17/2008
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|  | LARS MüLLER PUBLISHERSISBN: 9783037785102
USD $45.00 | CAN $60Pub Date: 3/25/2017
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FORMAT: Clth, 10 x 12 in. / 120 pgs / 50 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
GBP £50.00
ISBN: 9781881337331
PUBLISHER: Fraenkel Gallery
AVAILABLE: 3/31/2013
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| The Unphotographable Published by Fraenkel Gallery.
Edited and with text by Jeffrey Fraenkel. | Since the invention of photography almost 175 years ago, the medium has proven itself understandably adept at capturing what is there to be photographed: the solid, the concrete, that which can be seen. Another tradition exists, however; a parallel tradition in which photographers and artists have attempted to depict via photographic means that which is not so easily photographed: dreams, ghosts, god, thought, time. The Unphotographable explores this parallel tradition, and is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by “Angel Light,” one of the Angels series of dramatic, life-sized photograms he created in 1973–75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
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