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| |   |   | Kehinde Wiley: The Archaeology of SilenceEdited by Claudia Schmuckli.
 “That is the archaeology I am unearthing: the specter of police violence and state control over the bodies of young Black and brown people all over the world.” –Kehinde WileyKehinde Wiley: An Archaeology of Silence features a new body of paintings and sculptures by American artist Kehinde Wiley confronting the legacies of colonialism through the visual language of the fallen figure. It expands on a subject the artist first explored in his 2008 series Down—a group of large-scale portraits of young Black men inspired by Wiley’s encounter with Hans Holbein the Younger’s The Dead Christ in the Tomb (1521–22) at the Kunstmuseum Basel. Holbein’s painting triggered an ongoing investigation into the iconography of death and sacrifice in Western art that Wiley traced across religious, mythological and historical subjects. An Archaeology of Silence extends these considerations to include men and women around the world whose senseless deaths, often unacknowledged or silenced, are transformed into a powerful elegy of global resistance against state-sanctioned violence. The resulting paintings of Black bodies struck down, wounded or dead, all referencing iconic historical paintings of slain heroes, martyrs or saints, offer a haunting meditation on the violence against Black and brown bodies through the lens of European art history. Kehinde Wiley (born 1977) is a world-renowned visual artist. Working in the mediums of painting, sculpture and video, Wiley is best known for his vibrant portrayals of contemporary African American and African-diasporic individuals that subvert the hierarchies and conventions of European and American portraiture. Wiley became the first African American artist to paint an official US Presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide. He lives and works in Beijing, Dakar and New York.
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|  | STATUS: Forthcoming | 9/19/2023 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
| | | |  | DELMONICO BOOKS/FINE ARTS MUSEUMS OF SAN FRANCISCOISBN: 9781636810980 USD $50.00 | CAN $70 UK £ 43Pub Date: 9/19/2023 Forthcoming
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|  | THE HUNTINGTON LIBRARY, ART MUSEUM, AND BOTANICAL GARDENSISBN: 9781646570201 USD $40.00 | CAN $54 UK £ 32Pub Date: 3/22/2022 Active | In stock
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|  | ROBERTS & TILTONISBN: 9780991488926 USD $40.00 | CAN $54 UK £ 35Pub Date: 5/26/2015 Active | Out of stock
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|  | ROBERTS & TILTONISBN: 9781427613752 USD $40.00 | CAN $54 UK £ 35Pub Date: 3/31/2012 Active | In stock
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FORMAT: Hbk, 9.5 x 10 in. / 192 pgs / 130 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $70 GBP £43.00 ISBN: 9781636810980 PUBLISHER: DelMonico Books/Fine Arts Museums of San Francisco AVAILABLE: 9/19/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2023 Page 63 | PRESS INQUIRIES
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| Kehinde Wiley: The Archaeology of Silence Published by DelMonico Books/Fine Arts Museums of San Francisco. Edited by Claudia Schmuckli. “That is the archaeology I am unearthing: the specter of police violence and state control over the bodies of young Black and brown people all over the world.” –Kehinde Wiley Kehinde Wiley: An Archaeology of Silence features a new body of paintings and sculptures by American artist Kehinde Wiley confronting the legacies of colonialism through the visual language of the fallen figure. It expands on a subject the artist first explored in his 2008 series Down—a group of large-scale portraits of young Black men inspired by Wiley’s encounter with Hans Holbein the Younger’s The Dead Christ in the Tomb (1521–22) at the Kunstmuseum Basel. Holbein’s painting triggered an ongoing investigation into the iconography of death and sacrifice in Western art that Wiley traced across religious, mythological and historical subjects. An Archaeology of Silence extends these considerations to include men and women around the world whose senseless deaths, often unacknowledged or silenced, are transformed into a powerful elegy of global resistance against state-sanctioned violence. The resulting paintings of Black bodies struck down, wounded or dead, all referencing iconic historical paintings of slain heroes, martyrs or saints, offer a haunting meditation on the violence against Black and brown bodies through the lens of European art history.
Kehinde Wiley (born 1977) is a world-renowned visual artist. Working in the mediums of painting, sculpture and video, Wiley is best known for his vibrant portrayals of contemporary African American and African-diasporic individuals that subvert the hierarchies and conventions of European and American portraiture. Wiley became the first African American artist to paint an official US Presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide. He lives and works in Beijing, Dakar and New York.
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