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| |   |   | SOM Journal 4Edited by Diane Ghirardo.
Since 1936, Skidmore, Owings & Merrill has set the standard for corporate design, producing some of the most iconic buildings of the last century and shaping cities throughout the world. SOM, a small-format volume, amply illustrated and (of course) beautifully designed, places the firm's production in the context of critical discussion among some of the profession's leading thinkers: artists, engineers, architectural critics and architects themselves. This most recent issue is edited by Diane Ghirardo, influential scholar of social spaces and professor of architectural history and theory, the author of four books and many essays including Surveillance and Spectacle in Ferrara Fascista, Architecture of Deceit, Eisenman's Bogus Avant-Garde and The Case for Letting Malibu Burn.
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FORMAT: Paperback, 6.75 x 9.5 in. / 192 pgs / 100 color, 50 b&w and 100 duotones. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 ISBN: 9783775718035 PUBLISHER: Hatje Cantz AVAILABLE: 9/15/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA | D.A.P. CATALOG: FALL 2006 Page 156 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| SOM Journal 4 Published by Hatje Cantz. Edited by Diane Ghirardo. Since 1936, Skidmore, Owings & Merrill has set the standard for corporate design, producing some of the most iconic buildings of the last century and shaping cities throughout the world. SOM, a small-format volume, amply illustrated and (of course) beautifully designed, places the firm's production in the context of critical discussion among some of the profession's leading thinkers: artists, engineers, architectural critics and architects themselves. This most recent issue is edited by Diane Ghirardo, influential scholar of social spaces and professor of architectural history and theory, the author of four books and many essays including Surveillance and Spectacle in Ferrara Fascista, Architecture of Deceit, Eisenman's Bogus Avant-Garde and The Case for Letting Malibu Burn.
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