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| | BOOK FORMAT
Hardcover, 10 x 10 in. / 120 pgs / 60 color / 20 bw. PUBLISHING STATUS
Pub Date 7/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9783775713900 TRADE
List Price: $25.00 CDN $30.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Andy Warhol: Self-PortraitsEdited by Dietmar Elger. Essays by Robert Rosenblum and Roland Wäspe.
Perhaps no other artist from the second half of the 20th century is as familiar to the public as Andy Warhol--and his self-portraits can hardly be said to have played a lackluster role with regards to the artist's celebrity. U.S. postage stamp anyone? Occupying a position of central importance in his oeuvre, Warhol's self-portraits also occupy a consistent, long-running one. From the first self-images in gouache painted by 16-year-old Andrew Warhol in the mid-40s to the fright-wig series completed shortly before his death in February 1987, Andy Warhol continually used self-portraiture to reflect on his position and social status as an artist, performing a variety of roles in the process. Yet he never made use of the traditional topos of the artist's self-portrait; his fascination with transience and death is constantly present, as in his other works. Although a seemingly endless number of books have been published on Warhol's various work groups, this is the first monograph devoted exclusively to his self-portraits. The accompanying essays discuss different aspects of the theme and examine Warhol's self-portraits in the light of an expanded concept of the artist's self-portrait in the 20th century.
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|  | D.A.P./The Andy Warhol MuseumISBN: 9781942884187
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|  | Jordan Schnitzer Family FoundationISBN: 9780692764473
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|  | KerberISBN: 9783735600462
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|  | Hatje CantzISBN: 9783775737074
USD $60.00 | CAN $79Pub Date: 2/28/2014
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|  | Hatje CantzISBN: 9783775737166
USD $60.00 | CAN $79Pub Date: 11/30/2014
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|  | Hatje CantzISBN: 9783775735452
USD $30.00 | CAN $40Pub Date: 9/30/2013
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|  | Paul Kasmin GalleryISBN: 9780979416439
USD $40.00 | CAN $54 UK £ 35Pub Date: 2/1/2009
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|  | The Museum of Modern Art, New YorkISBN: 9780870707261
USD $9.95 | CAN $14.95Pub Date: 6/1/2008
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|  | D.A.P.ISBN: 9781891024634
USD $95.00 | CAN $112.5Pub Date: 4/1/2003
Active | Out of stock
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FORMAT: Hardcover, 10 x 10 in. / 120 pgs / 60 color / 20 b&w.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $30
ISBN: 9783775713900
PUBLISHER: Hatje Cantz
AVAILABLE: 7/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2004 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| Andy Warhol: Self-Portraits Published by Hatje Cantz.
Edited by Dietmar Elger. Essays by Robert Rosenblum and Roland Wäspe. Perhaps no other artist from the second half of the 20th century is as familiar to the public as Andy Warhol--and his self-portraits can hardly be said to have played a lackluster role with regards to the artist's celebrity. U.S. postage stamp anyone? Occupying a position of central importance in his oeuvre, Warhol's self-portraits also occupy a consistent, long-running one. From the first self-images in gouache painted by 16-year-old Andrew Warhol in the mid-40s to the fright-wig series completed shortly before his death in February 1987, Andy Warhol continually used self-portraiture to reflect on his position and social status as an artist, performing a variety of roles in the process. Yet he never made use of the traditional topos of the artist's self-portrait; his fascination with transience and death is constantly present, as in his other works. Although a seemingly endless number of books have been published on Warhol's various work groups, this is the first monograph devoted exclusively to his self-portraits. The accompanying essays discuss different aspects of the theme and examine Warhol's self-portraits in the light of an expanded concept of the artist's self-portrait in the 20th century.
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