Published by Hirshhorn Museum and Sculpture Garden. Text by Kerry Brougher, Barney Hoskyns, Dean Kuipers.
In a bold effort to redefine the public exhibition space, the Hirshhorn Museum has commissioned Doug Aitken’s most ambitious work to date. Song 1 is an unprecedented 360-degree moving-image work, requiring 11 high-definition projectors, that seamlessly blends imagery to illuminate the façade of the museum’s iconic cylindrical building--transforming it into “liquid architecture”--and create an urban soundscape. The scope of the artwork is large, yet at its core is a basic concept. Based around a single song, “I Only Have Eyes for You,” the piece explores the idea of pure communication through the perfect pop song. This distinctive book, designed by the artist and shaped to emulate the form of the Hirshhorn itself, visually interprets the work and places the work in a broader art historical and cultural context.
PUBLISHER Hirshhorn Museum and Sculpture Garden
BOOK FORMAT Clth, 13 x 8 in. / 120 pgs / 150 color / 20 bw.
PUBLISHING STATUS Pub Date 8/31/2012 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2012 p. 97
PRODUCT DETAILS ISBN 9780978906320TRADE List Price: $50.00 CDN $67.50 GBP £45.00
AVAILABILITY In stock
in stock $50.00
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Published by D.A.P./Distributed Art Publishers. Text by Kerry Brougher, Andy Grundberg, Anne W. Tucker.
First published in 1987, Joel Sternfeld’s American Prospects is the classic photo record of 1980s America. This definitive edition, made with new plates and including one additional photograph, offers a spectacular, funny, sad and soberly riveting portrait of America’s diverse possibilities and prospects in the Reagan era. From the famous “Wet n’ Wild Aquatic Theme Park” in Florida to “The Space Shuttle Columbia Lands at Kelly Air Force Base” in San Antonio, Texas; from melancholy images of beached whales in Oregon to beautiful views of Yellowstone National Park and Bear Lake in Utah; from post-tornado Nebraska to a previously unseen photograph from the series, “Bikini Contest, Fort Lauderdale, FL, March 1983”; the sublime contradictions and tragicomedy of this volume are without doubt one of the greatest accomplishments of color photography, all the more fully realized in this splendid new edition. An essay by Kerry Brougher, Chief Curator at the Hirshhorn Museum and Sculpture Garden, considers the historical context of Sternfeld’s book and the pivotal role that American Prospects has played in the evolution of contemporary filmmaking and art photography. A major exponent of color photography in America, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s other books include On This Site (1997), Hart Island (1998), Stranger Passing (2001), Walking the High Line (2002), Sweet Earth (2006), When It Changed (2007), Oxbow Archive (2008) and First Pictures (2011).
Published by Hatje Cantz. Edited by Pia Müller-Tamm. Text by Hiroshi Sugimoto, Kerry Brougher.
Genius of the large-format camera, the long exposure and the silverprint, New York-based photographer Hiroshi Sugimoto has made pictures that seem to contain whole aeons of time within themselves, and suggest an infinite palette of tonal wealth in blacks, grays and whites. Many of these images have now become a part of art culture's popular image bank (as U2's use of Sugimoto's "Boden Sea" for the cover of their 2009 album, No Line on the Horizon, demonstrated), while simultaneously evoking photography's earliest days: "I probably call myself a postmodern-experienced pre-postmodern modernist," he once joked to an interviewer. This absolutely exquisite retrospective is an expanded edition of Hatje Cantz's 2005 volume. It is the first to feature works from all of Sugimoto's series to date: his celebrated portraits of wax figures, his incredible seascapes that seem to suggest a person's first conscious view of the ocean, the extremely long exposures of theaters which elevate the white, luminescent cinema screen and transform it into a magical image of an altar and the fascinating dioramas of scientific display cases, which invite us to travel far into the past. Additions to the original edition are two new groups of works, "Lightning Fields" (2006) and "Photogenic Drawings" (2007). Hiroshi Sugimoto was born and raised in Tokyo, Japan, where he studied politics and sociology at St. Paul's University, later retraining as an artist at the Art Center College of Art and Design in Los Angeles, CA. He currently lives in New York City.
Published by Hirshhorn Museum and Sculpture Garden/Walker Art Center. Text by Kerry Brougher, Philippe Vergne, Klaus Ottmann, Kaira M. Cabañas, Andria Hickey.
One of the last century's most influential artists, Yves Klein (1928–1962) took the European art scene by storm in a prolific career that lasted only from 1954 to 1962, when he suffered a heart attack at the age of 34. Klein was an innovator who embraced painting, sculpture, performance, photography, music, theater, film, architecture and theoretical writing. Self-identified as “the painter of space,” Klein sought to achieve immaterial spirituality through pure color (primarily an ultramarine blue of his own invention—International Klein Blue) and even went so far as to present white galleries emptied of all artworks for his renowned 1958 exhibition of “the Void.” His diverse oeuvre represents a pivotal transition from modern art's concern with the material object to contemporary notions of the conceptual nature of art. Yves Klein: With the Void, Full Powers is published to accompany the first major retrospective of the artist's work in the United States in nearly 30 years. It includes examples from all of Klein's major series, including his Anthropometries, Cosmogonies, fire paintings, planetary reliefs and blue monochromes, as well as selections of his lesser-known gold and pink monochromes, body and sponge reliefs, “air architecture” and immaterial works. Essays by curators Kerry Brougher and Philippe Vergne, Klein scholar Klaus Ottmann, art historian Kaira M. Cabañas and curatorial fellow Andria Hickey, as well as archival materials and translations of Klein's published and unpublished writings, offer insights into the artist's endeavors and process. Born in Nice, France, in 1928, Yves Klein created what he considered his first artwork when he signed the sky above Nice in 1947, making his earliest attempt to capture the immaterial. The artist carved out new aesthetic and theoretical territory based on his study of the mystical sect Rosicrucianism, philosophical and poetic investigations of space and science, and the practice of Judo, which he described as “the discovery of the human body in a spiritual space.”
Published by Hirshhorn Museum and Sculpture Garden. Text by Evelyn C. Hankins, Giuseppe Panza, Kerry Brougher.
Published to accompany the Hirshhorn Museum's exhibition of 39 works by 16 artists--acquired from the renowned collection of Count Giuseppe Panza di Biumo, one of the foremost collectors of twentieth-century American and European contemporary art--The Panza Collection features the work of such seminal artists as Robert Barry, Hanne Darboven, Robert Irwin, On Kawara, Joseph Kosuth, Sol LeWitt, Bruce Nauman and Lawrence Weiner. Dr. Panza distinguished himself by collecting Conceptual, Light and Space, Minimal and Environmental art when few museums or private collectors were willing to take the risk, and for concentrating his efforts on obtaining multiple pieces from the best period of an artist's career. Dr. Panza's contribution to this publication offers insights into his collecting philosophy. An essay by Hirshhorn Associate Curator Evelyn C. Hankins sheds light on prevailing artistic practices of the late 1960s and early 1970s and establishes the significance of these important works.
PUBLISHER Hirshhorn Museum and Sculpture Garden
BOOK FORMAT Paperback, 8.75 x 8.75 in. / 96 pgs / illustrated throughout.
PUBLISHING STATUS Pub Date 2/1/2009 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2009 p. 151
PRODUCT DETAILS ISBN 9780978906313TRADE List Price: $25.00 CDN $30.00
Published by Hirshhorn Museum/D Giles Limited. Text by Kerry Brougher, Kelly Gordon, Anne Ellegood, Kristen Hileman, Tony Oursler.
This volume offers an in-depth exploration of contemporary moving-image art, examining the ways in which "the cinematic" has blurred cultural distinctions between reality and illusion. Cinema was the unrivaled art form of the twentieth century; in the art world, the use of film and video and the appropriation of cinematic language and devices for works in a range of media have been growing since the early 1960s. In the realm of popular culture, the influence of this technology and its vocabulary have grown to the point where the boundaries between "real life" and make-believe are at the least blurred and at most indecipherable. Opening with Kerry Brougher's overview of the cultural, social and psychological issues raised by The Cinema Effect, the book divides into two parts which reflect the opposing poles of cinema, and the roles they play in art and contemporary culture. The first section, Dreams, opens with a discussion by Kelly Gordon of how and why moving-image work has shifted from the margins to the center of art production. This essay considers the analogous relationship between cinema technology and the psychology of dreams, as well as the ways in which artists compel or challenge suspension of disbelief. The second section, Realisms, shifts the focus to the larger societal impact of the pervasiveness of cinema, looking at the work of emerging artists. In this section Anne Ellegood examines issues of subjectivity and identity in the featured artists' work and Kristen Hileman explores the complex issue of authenticity.
PUBLISHER Hirshhorn Museum/D Giles Limited
BOOK FORMAT Hardback, 11 x 9.5 in. / 176 pgs / 126 color / 24 bw.
PUBLISHING STATUS Pub Date 4/1/2008 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 84
PRODUCT DETAILS ISBN 9781904832508TRADE List Price: $65.00 CDN $87.00
AVAILABILITY In stock
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Published by Hatje Cantz. Essays by David Elliott, Kerry Brougher and Hiroshi Sugimoto.
Hiroshi Sugimoto's images freeze time and space, revealing the workings of our own vision, slowing down the act of perception long enough that it becomes a palpable component of his work. His earliest photographs were images of decadent movie palaces built in the 1920s and 1930s. By timing the exposure of his photos to the exact length of the film being screened, he produced images that depict theater interiors bathed in the magical glare of an all-white screen: pure light. Next Sugimoto began a body of work that he continues to this day, photographing views of the sea from land, traveling around the world to make pictures that, despite their vastly different geographic origins, seem at first to be the same, with only slight variations. Their captions, however, confirm that each is of a different body of water: Caspian, Ligurian, Black. Other series include his out-of-focus impressions of landmark architectural monuments, wherein the Empire State Building, Le Corbusier's Chapel de Notre Dame du Haut, and Tadao Ando's Church of Light in Osaka, among others, are essentialized rather than documented. This volume presents a monographic retrospective of Hiroshi Sugimoto's complete body of work, including the projects described above and others. New, mostly unpublished images from his recent color work are featured: impressions of the impeccably proportioned shrine Sugimoto designed in Naoshima Island in Japan, as well as a series entitled Colors of Shadow. Specially commissioned essays by photography curators David Elliot and Kerry Brougher examine Sugimoto's work in depth, while an exhibition history and bibliography round out the volume.
Published by Hatje Cantz. Essays by Russell Ferguson and Kerry Brougher.
Street photography has a long and varied history, encompassing such artists as Walker Evans from the 1930s, Robert Frank from the 1950s, and Garry Winogrand from the 1970s, each of whom, along with other practitioners, siezed the medium as their own and extended it, creating something new. Open City brings together the work of 19 artists to examine the history of street photography over the course of the last half-century. It takes as its starting point photographers such as Lee Friedlander and William Klein, who were instrumental in the development of a radical new approach to documentary photography, aided by the increasing portablility of camera equipment. For these and subsequent artists, the street has continued to hold an inherent fascination as a theater of human activity. Open City reflects the diversity of the work stimulated by this revolution: from Terry Donovan's advertising and fashion photography, to Susan Meiselas's photographs of war-torn Nicaragua and Raghubir Singh's vibrant and colorful images of his native India. Color, now considered a key tool for photographers, has only in recent years been legitimized, in part thanks to the work of American photographer William Eggleston during the late 1970s. Open City also includes the work of a newer generation of photographers, including the Turner Prize-winning Wolfgang Tillmans, and examines the the way in which contemporary practice continues to react to and build upon the tradition of street photography.