| | BOOK FORMAT Hardcover, 9.5 x 10.5 in. / 208 pgs / 40 color / 80 duotone PUBLISHING STATUS Pub Date 9/2/2001 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2001 PRODUCT DETAILS ISBN 9783775710664 TRADE List Price: $45.00 CAD $55.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Open CityStreet Photographs since 1950Essays by Russell Ferguson and Kerry Brougher.
Street photography has a long and varied history, encompassing such artists as Walker Evans from the 1930s, Robert Frank from the 1950s, and Garry Winogrand from the 1970s, each of whom, along with other practitioners, siezed the medium as their own and extended it, creating something new. Open City brings together the work of 19 artists to examine the history of street photography over the course of the last half-century. It takes as its starting point photographers such as Lee Friedlander and William Klein, who were instrumental in the development of a radical new approach to documentary photography, aided by the increasing portablility of camera equipment. For these and subsequent artists, the street has continued to hold an inherent fascination as a theater of human activity. Open City reflects the diversity of the work stimulated by this revolution: from Terry Donovan's advertising and fashion photography, to Susan Meiselas's photographs of war-torn Nicaragua and Raghubir Singh's vibrant and colorful images of his native India. Color, now considered a key tool for photographers, has only in recent years been legitimized, in part thanks to the work of American photographer William Eggleston during the late 1970s. Open City also includes the work of a newer generation of photographers, including the Turner Prize-winning Wolfgang Tillmans, and examines the the way in which contemporary practice continues to react to and build upon the tradition of street photography.
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FORMAT: Hardcover, 9.5 x 10.5 in. / 208 pgs / 40 color / 80 duotone LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $55 ISBN: 9783775710664 PUBLISHER: Hatje Cantz AVAILABLE: 9/2/2001 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: FALL 2001 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Open City Street Photographs since 1950 Published by Hatje Cantz. Essays by Russell Ferguson and Kerry Brougher. Street photography has a long and varied history, encompassing such artists as Walker Evans from the 1930s, Robert Frank from the 1950s, and Garry Winogrand from the 1970s, each of whom, along with other practitioners, siezed the medium as their own and extended it, creating something new. Open City brings together the work of 19 artists to examine the history of street photography over the course of the last half-century. It takes as its starting point photographers such as Lee Friedlander and William Klein, who were instrumental in the development of a radical new approach to documentary photography, aided by the increasing portablility of camera equipment. For these and subsequent artists, the street has continued to hold an inherent fascination as a theater of human activity. Open City reflects the diversity of the work stimulated by this revolution: from Terry Donovan's advertising and fashion photography, to Susan Meiselas's photographs of war-torn Nicaragua and Raghubir Singh's vibrant and colorful images of his native India. Color, now considered a key tool for photographers, has only in recent years been legitimized, in part thanks to the work of American photographer William Eggleston during the late 1970s. Open City also includes the work of a newer generation of photographers, including the Turner Prize-winning Wolfgang Tillmans, and examines the the way in which contemporary practice continues to react to and build upon the tradition of street photography.
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