| | PUBLISHER Hirshhorn Museum/D Giles LimitedBOOK FORMAT Hardback, 11 x 9.5 in. / 176 pgs / 126 color / 24 bw. PUBLISHING STATUS Pub Date 4/1/2008 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 84 PRODUCT DETAILS ISBN 9781904832508 TRADE List Price: $65.00 CDN $87.00 AVAILABILITY In stock | EXHIBITION SCHEDULEWashington, D.C Hirshhorn Museum and Sculture Garden, 02/14/08-09/07/08 | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | HIRSHHORN MUSEUM/D GILES LIMITEDThe Cinema EffectIllusion, Reality, and the Moving ImageText by Kerry Brougher, Kelly Gordon, Anne Ellegood, Kristen Hileman, Tony Oursler.
This volume offers an in-depth exploration of contemporary moving-image art, examining the ways in which "the cinematic" has blurred cultural distinctions between reality and illusion. Cinema was the unrivaled art form of the twentieth century; in the art world, the use of film and video and the appropriation of cinematic language and devices for works in a range of media have been growing since the early 1960s. In the realm of popular culture, the influence of this technology and its vocabulary have grown to the point where the boundaries between "real life" and make-believe are at the least blurred and at most indecipherable.
Opening with Kerry Brougher's overview of the cultural, social and psychological issues raised by The Cinema Effect, the book divides into two parts which reflect the opposing poles of cinema, and the roles they play in art and contemporary culture. The first section, Dreams, opens with a discussion by Kelly Gordon of how and why moving-image work has shifted from the margins to the center of art production. This essay considers the analogous relationship between cinema technology and the psychology of dreams, as well as the ways in which artists compel or challenge suspension of disbelief. The second section, Realisms, shifts the focus to the larger societal impact of the pervasiveness of cinema, looking at the work of emerging artists. In this section Anne Ellegood examines issues of subjectivity and identity in the featured artists' work and Kristen Hileman explores the complex issue of authenticity.
|
|  | Free Shipping UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS | |
| | | OF RELATED INTEREST |  | Edited by Stefano Basilico. Essays by Stefano Basilico, Lawrence Lessig and Rob Yeo. Introduction by David Gordon.MILWAUKEE ART MUSEUMISBN: 9780944110652 USD $24.95 | CAN $27.5Pub Date: 11/2/2004 Out of print | Not available
|
|  | Edited by Noel Daniel.D.A.P./DISTRIBUTED ART PUBLISHERSISBN: 9781933045269 USD $40.00 | CAN $50Pub Date: 11/15/2005 Out of print | Not available
|
|
| FORTHCOMING AND NEW: ART |  | By Gabriella Belli, Carlo Bertelli, Germano Celant, Ester Coen, Ida Gianelli. Edited by Valerio Terraroli.SKIRAISBN: 9788857222240 USD $240.00 | CAN $315Pub Date: 10/21/2014 Active | In stock
|
|  | Edited by Massimiliano Gioni. Contributions by Richard Prince.SKIRAISBN: 9788857232386 USD $65.00 | CAN $85Pub Date: 2/21/2017 Active | In stock
|
|  | Edited by Adelina von Fürstenberg.SKIRAISBN: 9788857224985 USD $55.00 | CAN $70Pub Date: 5/19/2015 Active | In stock
|
|  | Edited by Gunnar B. Kvaran, Hanne Beate Ueland, Grete Arbu.SKIRAISBN: 9788861307926 USD $45.00 | CAN $57.5Pub Date: 4/14/2009 Active | In stock
|
|  | By Lea Vergine.SKIRAISBN: 9788881187409 USD $29.95 | CAN $37.5Pub Date: 7/1/2001 Active | In stock
|
|  | By Eric Ellingsen.LARS MüLLER PUBLISHERSISBN: 9783037784655 USD $50.00 | CAN $67.5Pub Date: 12/15/2015 Active | In stock
|
|  | Edited by Paul Schimmel, Jenni Sorkin. Text by Elizabeth Smith, Anne Wagner.SKIRAISBN: 9788857230658 USD $55.00 | CAN $70Pub Date: 6/21/2016 Active | Out of stock
|
|  | Edited by by Danilo Eccher.SKIRAISBN: 9788857233574 USD $45.00 | CAN $57.5Pub Date: 10/24/2017 Active | In stock
|
|  | INVENTORY PRESSISBN: 9781941753026 USD $28.00 | CAN $38.5 UK £ 25Pub Date: 11/1/2014 Active | In stock
|
|  | By Ingrid Beazley.HENI PUBLISHINGISBN: 9780956404190 USD $64.95 | CAN $87Pub Date: 8/15/2014 Active | In stock
|
|  | By Ingrid Beazley.HENI PUBLISHINGISBN: 9780956404190 USD $64.95 | CAN $87Pub Date: 8/15/2014 Active | In stock
|
|  | By Ingrid Beazley.HENI PUBLISHINGISBN: 9780956873859 USD $30.00 | CAN $40Pub Date: 1/15/2016 Active | In stock
|
|
|
| |
  | the art world's source for books on art & culture |   |   |
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc. All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
 The D.A.P. Catalog www.artbook.com
|   |
| |

|
FORMAT: Hardback, 11 x 9.5 in. / 176 pgs / 126 color / 24 b&w. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $87 ISBN: 9781904832508 PUBLISHER: Hirshhorn Museum/D Giles Limited AVAILABLE: 4/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2008 Page 84 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| The Cinema Effect Illusion, Reality, and the Moving Image Published by Hirshhorn Museum/D Giles Limited. Text by Kerry Brougher, Kelly Gordon, Anne Ellegood, Kristen Hileman, Tony Oursler. | This volume offers an in-depth exploration of contemporary moving-image art, examining the ways in which "the cinematic" has blurred cultural distinctions between reality and illusion. Cinema was the unrivaled art form of the twentieth century; in the art world, the use of film and video and the appropriation of cinematic language and devices for works in a range of media have been growing since the early 1960s. In the realm of popular culture, the influence of this technology and its vocabulary have grown to the point where the boundaries between "real life" and make-believe are at the least blurred and at most indecipherable.
Opening with Kerry Brougher's overview of the cultural, social and psychological issues raised by The Cinema Effect, the book divides into two parts which reflect the opposing poles of cinema, and the roles they play in art and contemporary culture. The first section, Dreams, opens with a discussion by Kelly Gordon of how and why moving-image work has shifted from the margins to the center of art production. This essay considers the analogous relationship between cinema technology and the psychology of dreams, as well as the ways in which artists compel or challenge suspension of disbelief. The second section, Realisms, shifts the focus to the larger societal impact of the pervasiveness of cinema, looking at the work of emerging artists. In this section Anne Ellegood examines issues of subjectivity and identity in the featured artists' work and Kristen Hileman explores the complex issue of authenticity.
| VIEW MORE ONLINE AT: http://www.artbook.com/9781904832508.html |
| | |
|