| | | | | |
| | PUBLISHER
Hirshhorn Museum/D Giles LimitedBOOK FORMAT
Hardback, 11 x 9.5 in. / 176 pgs / 126 color / 24 bw. PUBLISHING STATUS
Pub Date 4/1/2008
Active DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2008 p. 84 PRODUCT DETAILS
ISBN 9781904832508 TRADE
List Price: $65.00 CDN $87.00 AVAILABILITY
In stock | EXHIBITION SCHEDULEWashington, D.C
Hirshhorn Museum and Sculture Garden, 02/14/08-09/07/08 | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | HIRSHHORN MUSEUM/D GILES LIMITEDThe Cinema EffectIllusion, Reality, and the Moving ImageText by Kerry Brougher, Kelly Gordon, Anne Ellegood, Kristen Hileman, Tony Oursler.
This volume offers an in-depth exploration of contemporary moving-image art, examining the ways in which "the cinematic" has blurred cultural distinctions between reality and illusion. Cinema was the unrivaled art form of the twentieth century; in the art world, the use of film and video and the appropriation of cinematic language and devices for works in a range of media have been growing since the early 1960s. In the realm of popular culture, the influence of this technology and its vocabulary have grown to the point where the boundaries between "real life" and make-believe are at the least blurred and at most indecipherable.
Opening with Kerry Brougher's overview of the cultural, social and psychological issues raised by The Cinema Effect, the book divides into two parts which reflect the opposing poles of cinema, and the roles they play in art and contemporary culture. The first section, Dreams, opens with a discussion by Kelly Gordon of how and why moving-image work has shifted from the margins to the center of art production. This essay considers the analogous relationship between cinema technology and the psychology of dreams, as well as the ways in which artists compel or challenge suspension of disbelief. The second section, Realisms, shifts the focus to the larger societal impact of the pervasiveness of cinema, looking at the work of emerging artists. In this section Anne Ellegood examines issues of subjectivity and identity in the featured artists' work and Kristen Hileman explores the complex issue of authenticity.
|
|  | Free Shipping UPS GROUND IN THE CONTINENTAL U.S.
FOR CONSUMER ONLINE ORDERS | |
| | | OF RELATED INTEREST |  | MILWAUKEE ART MUSEUMISBN: 9780944110652
USD $24.95 | CAN $27.5Pub Date: 11/2/2004
Out of print | Not available
|
|  | D.A.P./DISTRIBUTED ART PUBLISHERSISBN: 9781933045269
USD $40.00 | CAN $50Pub Date: 11/15/2005
Out of print | Not available
|
|
| FORTHCOMING AND NEW: ART |  | MUSEU DE ARTE DE SãO PAULO/KMEC BOOKSISBN: 9786557770375
USD $50.00 | CAN $72.5 UK £ 44Pub Date: 8/8/2023
Forthcoming
|
|  | DELMONICO BOOKS/LOS ANGELES COUNTY MUSEUM OF ARTISBN: 9781636810904
USD $75.00 | CAN $108.5 UK £ 65Pub Date: 11/21/2023
Forthcoming
|
|  | DELMONICO BOOKS/BIG NDN PRESSISBN: 9781636811024
USD $75.00 | CAN $108.5 UK £ 67Pub Date: 8/22/2023
Forthcoming
|
|  | DELMONICO BOOKS/TANGISBN: 9781636810409
USD $49.95 | CAN $71.95 UK £ 43.99Pub Date: 10/10/2023
Forthcoming
|
|  | DESTE FOUNDATION FOR CONTEMPORARY ARTISBN: 9786185039387
USD $60.00 | CAN $87 UK £ 54Pub Date: 10/3/2023
Forthcoming
|
|  | GUGGENHEIM MUSEUM PUBLICATIONSISBN: 9780892075638
USD $65.00 | CAN $94 UK £ 57Pub Date: 12/12/2023
Forthcoming
|
|  | HATJE CANTZISBN: 9783775754927
USD $49.95 | CAN $71.95Pub Date: 11/21/2023
Forthcoming
|
|  | HATJE CANTZISBN: 9783775754651
USD $55.00 | CAN $79Pub Date: 6/27/2023
Active | In stock
|
|  | HATJE CANTZISBN: 9783775754675
USD $62.00 | CAN $89Pub Date: 9/5/2023
Forthcoming
|
|  | HAYWARD GALLERY PUBLISHINGISBN: 9781853323768
USD $40.00 | CAN $58Pub Date: 10/10/2023
Forthcoming
|
|  | HOLZWARTH PUBLICATIONSISBN: 9783947127405
USD $50.00 | CAN $72.5Pub Date: 8/8/2023
Forthcoming
|
|  | VERLAG FüR MODERNE KUNSTISBN: 9783903439658
USD $20.00 | CAN $29Pub Date: 8/8/2023
Forthcoming
|
|
|
| |
| |
|
FORMAT: Hardback, 11 x 9.5 in. / 176 pgs / 126 color / 24 b&w.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $87
ISBN: 9781904832508
PUBLISHER: Hirshhorn Museum/D Giles Limited
AVAILABLE: 4/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2008 Page 84 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS
Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| The Cinema Effect
Illusion, Reality, and the Moving Image Published by Hirshhorn Museum/D Giles Limited.
Text by Kerry Brougher, Kelly Gordon, Anne Ellegood, Kristen Hileman, Tony Oursler. This volume offers an in-depth exploration of contemporary moving-image art, examining the ways in which "the cinematic" has blurred cultural distinctions between reality and illusion. Cinema was the unrivaled art form of the twentieth century; in the art world, the use of film and video and the appropriation of cinematic language and devices for works in a range of media have been growing since the early 1960s. In the realm of popular culture, the influence of this technology and its vocabulary have grown to the point where the boundaries between "real life" and make-believe are at the least blurred and at most indecipherable.
Opening with Kerry Brougher's overview of the cultural, social and psychological issues raised by The Cinema Effect, the book divides into two parts which reflect the opposing poles of cinema, and the roles they play in art and contemporary culture. The first section, Dreams, opens with a discussion by Kelly Gordon of how and why moving-image work has shifted from the margins to the center of art production. This essay considers the analogous relationship between cinema technology and the psychology of dreams, as well as the ways in which artists compel or challenge suspension of disbelief. The second section, Realisms, shifts the focus to the larger societal impact of the pervasiveness of cinema, looking at the work of emerging artists. In this section Anne Ellegood examines issues of subjectivity and identity in the featured artists' work and Kristen Hileman explores the complex issue of authenticity.
| VIEW MORE ONLINE AT: https://www.artbook.com/9781904832508.html |
| | |
|