Inheritance is a meticulous narrative of 74 color photographs, made between 2010 and 2012, that replicates Tese's experiences as she cleaned out her grandparents' house following their deaths. The subject-matter here is intentionally mundane—suitcases, shoes, tools, books, food, flowerpots, dishes, furniture, Christmas decorations—and at first glance the images seem to be an unsentimental inventory of these objects as well as a celebration of the two beloved individuals who owned them. Yet a closer examination reveals Tese's own consciousness in the order and arrangement of these things, proof of her role as an interpreter who evokes the past while imagining the future.
Featured images are reproduced from Andrea Tese: Inheritance.
PRAISE AND REVIEWS
AnOther Magazine
Karen Orton
...Inheritance, an intimate and powerful book that uses these objects to chronicle their lives.
in stock $50.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Hbk, 12 x 9.75 in. / 128 pgs / illustrated throughout. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $67.5 ISBN: 9783869308104 PUBLISHER: Steidl AVAILABLE: 9/29/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by Steidl. Text by Andrea Tese, Alison Nordstrom.
Inheritance is a meticulous narrative of 74 color photographs, made between 2010 and 2012, that replicates Tese's experiences as she cleaned out her grandparents' house following their deaths. The subject-matter here is intentionally mundane—suitcases, shoes, tools, books, food, flowerpots, dishes, furniture, Christmas decorations—and at first glance the images seem to be an unsentimental inventory of these objects as well as a celebration of the two beloved individuals who owned them. Yet a closer examination reveals Tese's own consciousness in the order and arrangement of these things, proof of her role as an interpreter who evokes the past while imagining the future.
