Edited by Adriano Pedrosa, Guilherme Giufrida. Text by Ashton Cooper, David Joselit, Guilherme Giufrida, Jack Halberstam, Vi Grunvald.
Nearly four decades of work from the photographer who redefined the expression of gender in contemporary queer portraiture
A leading voice in contemporary photography, Catherine Opie has been known for her portraits of the queer scene in California since the late 1980s. A fundamental element of Opie’s work is the observation of different gender performances through a critical revision of the genre of portraiture. Her photography emphasizes how portraiture has the power to both reinforce and deconstruct conventional and binary expressions of gender. The title of this publication and the MASP exhibition it accompanies is based on the double meaning of the word gênero in Portuguese, meaning both “gender” and “genre.” For her first solo show in Brazil, Opie enters into dialogue with the tradition of the portrait—a way of representing the human figure that dates to the 15th century in the West—producing an archive of diverse presentations of gender and sexuality. Around 60 photographs from her most iconic series are displayed alongside a selection of around 15 emblematic portraits from MASP’s collection. Strongly marked by figuration and the formal constraint of portraiture, the juxtaposition of these works accentuates the dialogues, tensions and reformulations that Opie’s photographic oeuvre proposes. Catherine Opie was born in Ohio in 1961 and is currently a professor of photography and the chair of the art department at UCLA. Opie’s work has been exhibited extensively throughout the United States, Europe and Japan. She has had solo exhibitions of her work at the Walker Art Center, Minneapolis; St. Louis Art Museum; Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles, among many others.
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Genre / Gender / Portraiture, Catherine Opie’s 2024 retrospective at MASP, São Paolo, was an international sensation, assembling four decades of the California artist’s groundbreaking queer portraiture alongside a selection of historical artworks from MASP’s collection. The catalog has finally reached our shores, beautifully designed with tipped on cover image, stamping, various papers and several gatefolds. “I don’t believe that a portrait is essentially about the person,” Opie is quoted. “I think that the only expectation I have about portraiture is to recognize what a shared moment can do. It’s still, for me, an internal space that becomes external. And that’s where it gets tricky for me. I want to offer you an entry place of looking at this person, but I believe that we have ways of being that are different and that change. Singular identity is something that I’ve never really understood in relationship to representation.” Pictured here, “Oliver in a Tutu,” from the series In and Around Home (2004). continue to blog
FORMAT: Hbk, 8 x 10.75 in. / 176 pgs / 120 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $62 GBP £40.00 ISBN: 9786557770610 PUBLISHER: Museu de Arte de São Paulo Assis Chateaubriand/KMEC Books AVAILABLE: 9/16/2025 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD Except Brazil
Published by Museu de Arte de São Paulo Assis Chateaubriand/KMEC Books. Edited by Adriano Pedrosa, Guilherme Giufrida. Text by Ashton Cooper, David Joselit, Guilherme Giufrida, Jack Halberstam, Vi Grunvald.
Nearly four decades of work from the photographer who redefined the expression of gender in contemporary queer portraiture
A leading voice in contemporary photography, Catherine Opie has been known for her portraits of the queer scene in California since the late 1980s. A fundamental element of Opie’s work is the observation of different gender performances through a critical revision of the genre of portraiture. Her photography emphasizes how portraiture has the power to both reinforce and deconstruct conventional and binary expressions of gender. The title of this publication and the MASP exhibition it accompanies is based on the double meaning of the word gênero in Portuguese, meaning both “gender” and “genre.”
For her first solo show in Brazil, Opie enters into dialogue with the tradition of the portrait—a way of representing the human figure that dates to the 15th century in the West—producing an archive of diverse presentations of gender and sexuality. Around 60 photographs from her most iconic series are displayed alongside a selection of around 15 emblematic portraits from MASP’s collection. Strongly marked by figuration and the formal constraint of portraiture, the juxtaposition of these works accentuates the dialogues, tensions and reformulations that Opie’s photographic oeuvre proposes.
Catherine Opie was born in Ohio in 1961 and is currently a professor of photography and the chair of the art department at UCLA. Opie’s work has been exhibited extensively throughout the United States, Europe and Japan. She has had solo exhibitions of her work at the Walker Art Center, Minneapolis; St. Louis Art Museum; Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles, among many others.
