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| |   |   | Giorgio de Chirico: A Metaphysical JourneyPaintings 1909-1973Text by Gerd Roos.
As a forerunner of Pittura metafisica (Metaphysical art), Greek-Italian painter Giorgio de Chirico (1888-1978) exerted a powerful influence on the subsequent development of Surrealism, New Objectivity and Magic Realism. For example, well before the Surrealists, de Chirico had discovered the power of the unconscious and the independent language of objects. Influenced by the symbolic painting of Arnold Böcklin and the dream pictures of Max Klinger, he created his provocative city views of deserted or statically enlivened squares. At the same time, he made ironically intellectual self-portraits that now form a large part of the artist's complete oeuvre. In this enlightening volume, curator and de Chirico scholar Gerd Roos discusses the artist's development as it is reflected in his times; his break with his innovative, seminal painting style; and his turn to a traditional, academic concept of art.
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| | | | |  | THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870708725 USD $14.95 | CAN $21Pub Date: 3/31/2014 Active | In stock
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|  | EXACT CHANGEISBN: 9781878972064 USD $17.95 | CAN $25.5 UK £ 15.99Pub Date: 2/2/2004 Active | Out of stock
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FORMAT: Hbk, 8.75 x 10.75 in. / 136 pgs / 33 color / 53 b&w. LIST PRICE: U.S. $59.95 LIST PRICE: CANADA $70 ISBN: 9783865604972 PUBLISHER: Walther König, Köln AVAILABLE: 3/1/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA AU/NZ AFR | D.A.P. CATALOG: SPRING 2009 Page 106 | PRESS INQUIRIES
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| Giorgio de Chirico: A Metaphysical Journey Paintings 1909-1973 Published by Walther König, Köln. Text by Gerd Roos. As a forerunner of Pittura metafisica (Metaphysical art), Greek-Italian painter Giorgio de Chirico (1888-1978) exerted a powerful influence on the subsequent development of Surrealism, New Objectivity and Magic Realism. For example, well before the Surrealists, de Chirico had discovered the power of the unconscious and the independent language of objects. Influenced by the symbolic painting of Arnold Böcklin and the dream pictures of Max Klinger, he created his provocative city views of deserted or statically enlivened squares. At the same time, he made ironically intellectual self-portraits that now form a large part of the artist's complete oeuvre. In this enlightening volume, curator and de Chirico scholar Gerd Roos discusses the artist's development as it is reflected in his times; his break with his innovative, seminal painting style; and his turn to a traditional, academic concept of art.
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