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| |   |   | Jim Dine: This is How I Remember, NowPortraits: Photographs by Jim DineIntroduction by Gabriele Conrath-Scholl. Text by Susanne Lange, Jim Dine.
Jim Dine may be best known for his prints, paintings and sculptural works--and for being one of the founders of Pop art--but he has also been making photographs since 1996. Most of the photographs are set up in the studio. Often featuring multiple exposures, Gothic imagery and automatic-writing-like text, they tend to convey a tinge of Surrealism. Dine has said about his practice, “I don’t use Photoshop with all the things you can do. I photograph and then I preview. I preview all day until I get it right, but I get it right by changing the objects.” For this volume, which will be eye-opening even to Dine’s most familiar fans, the artist has selected a group of self-portraits, portraits he has taken of friends and relatives--both alive and dead--and portraits of Pinochio, the fictional character he has been reimagining for the last several years.
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FORMAT: Hardback, 8.5 x 9.75 in. / 328 pgs / illustrated throughout. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $67.5 ISBN: 9783865216038 PUBLISHER: Steidl & Partners AVAILABLE: 7/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2008 Page 75 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Jim Dine: This is How I Remember, Now Portraits: Photographs by Jim Dine Published by Steidl & Partners. Introduction by Gabriele Conrath-Scholl. Text by Susanne Lange, Jim Dine. Jim Dine may be best known for his prints, paintings and sculptural works--and for being one of the founders of Pop art--but he has also been making photographs since 1996. Most of the photographs are set up in the studio. Often featuring multiple exposures, Gothic imagery and automatic-writing-like text, they tend to convey a tinge of Surrealism. Dine has said about his practice, “I don’t use Photoshop with all the things you can do. I photograph and then I preview. I preview all day until I get it right, but I get it right by changing the objects.” For this volume, which will be eye-opening even to Dine’s most familiar fans, the artist has selected a group of self-portraits, portraits he has taken of friends and relatives--both alive and dead--and portraits of Pinochio, the fictional character he has been reimagining for the last several years.
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