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| | | | Rachel Rose: Laura MulveyVisual Pleasure and Narrative Cinema: 1975Edited by Mark Lewis.
Since it first appeared in Screen in 1975, Laura Mulvey’s essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey’s compelling polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge preconceived ideas and produce new works that owe their possibility to the generative qualities of this key essay.
In this book, the celebrated New York-based video artist Rachel Rose (born 1986) has produced an innovative work that extends and adds to the essay’s frame of reference. Drawing on 18th- and 19th-century fairy tales, and observing how their flat narratives matched the flatness of their depictions, Rose created collages that connect these pre-cinematic illustrations to what Mulvey describes in her essay—cinema flattening sexuality into visuality.
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|  | STATUS: Out of stock indefinitely. | |
| | | |  | WALTHER KöNIG, KöLNISBN: 9783960986805
USD $45.00 | CAN $63Pub Date: 3/30/2021
Active | In stock
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FORMAT: Pbk, 5 x 8 in. / 64 pgs / 31 color.
LIST PRICE: U.S. $14.95
LIST PRICE: CANADA $21
ISBN: 9783863359652
PUBLISHER: Koenig Books
AVAILABLE: 9/27/2016
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2017 Page 152 | PRESS INQUIRIES
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| Rachel Rose: Laura Mulvey
Visual Pleasure and Narrative Cinema: 1975 Published by Koenig Books.
Edited by Mark Lewis. Since it first appeared in Screen in 1975, Laura Mulvey’s essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey’s compelling polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge preconceived ideas and produce new works that owe their possibility to the generative qualities of this key essay.
In this book, the celebrated New York-based video artist Rachel Rose (born 1986) has produced an innovative work that extends and adds to the essay’s frame of reference. Drawing on 18th- and 19th-century fairy tales, and observing how their flat narratives matched the flatness of their depictions, Rose created collages that connect these pre-cinematic illustrations to what Mulvey describes in her essay—cinema flattening sexuality into visuality.
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