Acclaimed critic, curator and museum director Clémentine Deliss explores possible functions for anthropological museums in a postcolonial culture
Anthropological museums in Europe, as products of imperialism, have been compelled to legitimate themselves for some while now. The very basis of their exhibitions, the history of their collections, which came about all too often through colonial appropriation and outright theft, is now widely contended.
In this brilliant intervention in this often irresolvable-seeming conversation, the London-born curator, researcher, publisher and director of the Frankfurt Weltkulturen Museum Clémentine Deliss (born 1960) offers an intriguing mix of autobiographically informed fiction and scientific argument to address the topic and explore the possible future role of anthropological museums in culture.
Deliss conjoins reflections about her own work as the director of the Frankfurt Weltkulturen Museum with discussions of filmmakers, artists and authors to argue for an entity she calls the Metabolic Museum—an interventionist laboratory that opens up the potential of anthropological collections for the future.
PRAISE AND REVIEWS
New York Review of Books
Coco Fusco
In The Metabolic Museum, Clémentine Deliss, since last year an associate curator at the Institute for Contemporary Art in Berlin, outlines her radical curatorial vision and chronicles her attempts to transform the Weltkulturen Museum from a moribund storehouse of artifacts into a laboratory and educational center for critical engagement with the material cultures of non-European societies.
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FORMAT: Pbk, 4.75 x 7.5 in. / 128 pgs. LIST PRICE: U.S. $22.00 LIST PRICE: CANADA $31 ISBN: 9783775747806 PUBLISHER: Hatje Cantz/KW Institute for Contemporary Art AVAILABLE: 11/10/2020 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA
Acclaimed critic, curator and museum director Clémentine Deliss explores possible functions for anthropological museums in a postcolonial culture
Published by Hatje Cantz/KW Institute for Contemporary Art. By Clémentine Deliss.
Anthropological museums in Europe, as products of imperialism, have been compelled to legitimate themselves for some while now. The very basis of their exhibitions, the history of their collections, which came about all too often through colonial appropriation and outright theft, is now widely contended.
In this brilliant intervention in this often irresolvable-seeming conversation, the London-born curator, researcher, publisher and director of the Frankfurt Weltkulturen Museum Clémentine Deliss (born 1960) offers an intriguing mix of autobiographically informed fiction and scientific argument to address the topic and explore the possible future role of anthropological museums in culture.
Deliss conjoins reflections about her own work as the director of the Frankfurt Weltkulturen Museum with discussions of filmmakers, artists and authors to argue for an entity she calls the Metabolic Museum—an interventionist laboratory that opens up the potential of anthropological collections for the future.
